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Very good oil painting, sunflower oil, yellowing prevention
If you can feel the depth and endless path on a canvas-type plane, painting is no longer a painting, but a music. I thought it was beauty if I could endure it until I could hear something from what I see. This painting gave a visual perspective with the difference in density between the painted and unpainted areas. I always find landscapes in landscapes that I have experienced and remembered, either directly or indirectly, and this painting was no exception. The important thing is that even if I draw the same landscape many times over and over, it is always new when I draw. Sometimes I thought of wanting to travel around every corner of the space by removing the focus from what I was seeing. I want to find the peace between wandering and freedom.
If you can feel the depth and endless path on a canvas-type plane, painting is no longer a painting, but a music. I thought it was beauty if I could endure it until I could hear something from what I see. This painting gave a visual perspective with the difference in density between the painted and unpainted areas. I always find landscapes in landscapes that I have experienced and remembered, either directly or indirectly, and this painting was no exception. The important thing is that even if I draw the same landscape many times over and over, it is always new when I draw. Sometimes I thought of wanting to travel around every corner of the space by removing the focus from what I was seeing. I want to find the peace between wandering and freedom.
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Big smile
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Big smile Painting

Lydia Lee

South Korea

Painting, Oil on Canvas

Size: 51 W x 38.5 H x 1 D in

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Originally listed for $1,710Make an OfferView Print Options
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About The Artwork

If you can feel the depth and endless path on a canvas-type plane, painting is no longer a painting, but a music. I thought it was beauty if I could endure it until I could hear something from what I see. This painting gave a visual perspective with the difference in density between the painted and unpainted areas. I always find landscapes in landscapes that I have experienced and remembered, either directly or indirectly, and this painting was no exception. The important thing is that even if I draw the same landscape many times over and over, it is always new when I draw. Sometimes I thought of wanting to travel around every corner of the space by removing the focus from what I was seeing. I want to find the peace between wandering and freedom.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:51 W x 38.5 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Seoul, Korea, and was taught by the first generation of Western painters in Korea at the University of Fine Arts and got a master's degree in Seoul My abstraction is clearly made on a very classical basis, which is realized through the process of abstractly distorting with a shape. Although it is not clear, I try to show it clearly through painting with a blurred memory scene. It is not about form, but about emotions and desires, and is abstracted. I draw with the impulse of creation and omission because I am trying to bring out the already blurry image in my mind through painting. Because the overall flow is more important than the theme of the parts, I am directly influenced by the majestic classical music. And my painting is closer to Abstract Expressionism as a result, but from the beginning the intermediate process is closer to Impressionism. Like Monet, Manet, and Bonnard, he was influenced by the movement and movement of colors. Besides, I have a very wide range of changes because the materials I use in my paintings are very diverse. However, one common denominator in my paintings is that they are consistent and flow towards order.

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