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Birth of Venus Painting

William Rafael Marquina Buitrago

Ecuador

Painting, Acrylic on Canvas

Size: 55.1 W x 39.4 H x 0.8 D in

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ABOUT THE ARTWORK

The myth tells that Venus was born from the fertile waters of the sea when Saturn or Cronos, god of time, tore the genitals of his father Caelos (who is none other than Chaos or Uranus) and threw them into the sea and then Venus would be born, due to the friction of the foaming waves, being transported by the wind to the shore of the island of Cythera in Cyprus, appearing this unique goddess, naked and on a huge seashell. The title Birth of Venus first belonged to Botticelli’s most famous work, which represents the arrival of the goddess Venus after her birth, being received on the seashore by Cephiro, the god of the wind, Aura, the goddess of the breeze. , and one of the Hours of the Seasons, Spring, which wears a mantle decorated with floral motifs to clothe the goddess, just at the moment when the roses are detached from the mantle and fall next to Venus, since tradition says that, as goddess of love, roses arose with her. William presents us with a unique abstract interpretation inspired by the birth of the goddess of love as a transformation of chaos, where the central shape of the painting reminds us of the figure of a sea creature, like that of an octopus, whose head is simultaneously compared to that of a female womb. This painting has been made without using brushes, the technique used is called drip flexography, in a laborious dynamic that consisted of successive overlapping of areas of the same canvas to first find the figure of the octopus, and then that of the flowers. The cracking of the paint is due to the combination of an acrylic resin with the paint, producing these cracks that recall archaeological textures from the past. I would like people to relate my work to the reminiscences of chaos in their lives as a catharsis of the fear that: "everything must end in ruins" and thus feel that after all, life with its forms will adapt to the transformative changes of chaos. -Signed on the back -Does not have a decorative frame

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

55.1 W x 39.4 H x 0.8 D in

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William Marquina was born in Merida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in a Sunday outdoor painting workshop. After graduating in visual arts at the University of Los Andes, he studied for a master’s degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts teacher at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works. William’s production has been experimentally versatile and challenges us with series characterized by the desire to seek, study and complement the archaic and the contemporary. Among his series are: Brillo, Copia Picasso, Copia Matisse, Copia Da Vinci and Apercepciones. In the latter, he highlights in painting, the subjective complexity in the world of perceptions. He has been exhibiting his recent works in the city of Quito: “What do you see?” at the Humboldt Association (2024); a collective exhibition at the AQ Arte Feria de Quito (2024). In 2023 his retrospective “Imbrications in Painting”; in 2021 International Painting Exhibition at the Casal Català Quito and in 2019 “Exhibition of Ecuadorian Painting” at the Quito City Hall. Other important individual exhibitions but in Venezuela were: in 2012 “Cartographies of the Terrestrial and the Transterráneo”; in 2017 “Care. Path and Limit”, and in 2007 “Essences”. Awarded the First Prize for Arts for University Students, in 2001.

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