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I incorporate the many stimuli of the contemporary world transforming them into visions that go beyond everyday life and then encapsulate them in a wider and timeless perspective.
In this picture I have painted an immense marble surface with two pomegranates in the foreground; from the first emerges one of the spires of San Marco in Venice, from the other one appears the shadow of a bell tower that will soon come to the light, while a little further you will notice an already formed column with the lion statue and more spires hovering at the horizon; other monuments to discover.  The pomegranate seeds spread over the marble will give birth to new masterpieces, destined for eternity. 
I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.
I incorporate the many stimuli of the contemporary world transforming them into visions that go beyond everyday life and then encapsulate them in a wider and timeless perspective.
In this picture I have painted an immense marble surface with two pomegranates in the foreground; from the first emerges one of the spires of San Marco in Venice, from the other one appears the shadow of a bell tower that will soon come to the light, while a little further you will notice an already formed column with the lion statue and more spires hovering at the horizon; other monuments to discover.  The pomegranate seeds spread over the marble will give birth to new masterpieces, destined for eternity. 
I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.
I incorporate the many stimuli of the contemporary world transforming them into visions that go beyond everyday life and then encapsulate them in a wider and timeless perspective.
In this picture I have painted an immense marble surface with two pomegranates in the foreground; from the first emerges one of the spires of San Marco in Venice, from the other one appears the shadow of a bell tower that will soon come to the light, while a little further you will notice an already formed column with the lion statue and more spires hovering at the horizon; other monuments to discover.  The pomegranate seeds spread over the marble will give birth to new masterpieces, destined for eternity. 
I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.
I incorporate the many stimuli of the contemporary world transforming them into visions that go beyond everyday life and then encapsulate them in a wider and timeless perspective.
In this picture I have painted an immense marble surface with two pomegranates in the foreground; from the first emerges one of the spires of San Marco in Venice, from the other one appears the shadow of a bell tower that will soon come to the light, while a little further you will notice an already formed column with the lion statue and more spires hovering at the horizon; other monuments to discover.  The pomegranate seeds spread over the marble will give birth to new masterpieces, destined for eternity. 
I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.
I incorporate the many stimuli of the contemporary world transforming them into visions that go beyond everyday life and then encapsulate them in a wider and timeless perspective.
In this picture I have painted an immense marble surface with two pomegranates in the foreground; from the first emerges one of the spires of San Marco in Venice, from the other one appears the shadow of a bell tower that will soon come to the light, while a little further you will notice an already formed column with the lion statue and more spires hovering at the horizon; other monuments to discover.  The pomegranate seeds spread over the marble will give birth to new masterpieces, destined for eternity. 
I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.

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Birth of a dream Painting

Katia Scotti

Italy

Painting, Oil on Canvas

Size: 70 W x 60 H x 3 D cm

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€2,333

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242 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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I incorporate the many stimuli of the contemporary world transforming them into visions that go beyond everyday life and then encapsulate them in a wider and timeless perspective. In this picture I have painted an immense marble surface with two pomegranates in the foreground; from the first emerges...

Year Created:

2019

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

70 W x 60 H x 3 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I was born in Feltre in the province of Belluno (Italy); and I am currently based in San Dona di Piave in the province of Venice, Italy. My academic background took place in the city of Venice and was enriched under the directions of Giovanni Soccol, a well established Venetian painter, set designer and architect who has had a numerous important national and international exhibitions during his long artistic career. From master Giovanni Soccol I have learned the painting techniques of the great Italian Old Masters and the attention that must be paid to every aspect of the creation of a work: my oil paintings are carefully given to read glazes, I create colors by mixing pigments with linseed oil, before painting the final work in oil or acrylic on canvas. I make several studies in charcoal and pastels on paper. With another Venetian master Ludovico De Luigi, I have in particular approached the bronze sculpture. My favorite painting techniques are oil, acrylic, charcoal, pastels and fresco painting. I learned the fresco technique from the master Vico Calabrò and I am currently enrolled among the masters of his International School of fresco based in the Santuario dei Santi Vittore e Corona in Feltre, in the province of Belluno, Italy. My subjects are mainly related to the dreamlike and surreal world, where the current is transformed into visual metaphors in which coexist with a broader vision and eternal life. I participated in numerous exhibitions both nationally and internationally.

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Artist featured by Saatchi Art in a collection

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