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Black Palm of Amboró Painting

Danilo Mileta

France

Painting, Acrylic on Canvas

Size: 27 W x 47 H x 1.8 D in

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SOLD
Originally listed for $470

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ABOUT THE ARTWORK

This was a creation where I use 5 techniques just in the palm tree trunk , for create a surrealist texture . Always looking for a way to shyly show the leaves of the palm tree through a translucent dark sky. The gold foil present in the cut trunk can be interpreted as the true wealth of the palm tree, as well as of all nature, is in the life they carry inside. The acrylic paint is the first quality, and the gold foil is and aluminium and gold composite. (the hanging hardware is not included)

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

27 W x 47 H x 1.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a Bolivian artist from the city of Santa Cruz, a city that emerged on the border of the Amazon and has influenced my worldview in my artistic work, particularly the vibrant colors of my culture, the animals, and the flora, which have now been deconstructed and presented through a vision of the unconscious. Since my early days, I have explored various forms of expression such as pottery, wood carving, and a few years later, I ventured into materials like fiberglass, polyurethane foam sculpture, among others. All these experiences are now merged into the techniques I currently employ. Beyond the techniques of representation and the materials I use, my style is guided by pareidolia (a psychological phenomenon where a vague and random visual stimulus is perceived as a recognizable form). Through paint strokes or reliefs on the surface of clay, I can see figures and shapes that I then make evident, becoming a sort of photograph of the unconscious, akin to a Rorschach test. The representation style of my works has a caricatured or childlike touch because, in my experience, the purest form of artistic representation we have is that of ourselves when we are children. That's why I try to let my inner child draw and paint. With this, I aim to create a space for dialogue in contemporary art where we communicate with this inner child, sharing my way of seeing the world, my culture. As abstract works, they also leave room for the observer's personal interpretation.

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