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Black Swan Raw in Orange, third in the Black Swan Raw series. Continuing from my swan anatomy research, I painted the first one as part of the 'Weight and Power' project. Originally starting with research into vast container ships, an image that gives a sense of ore in it's incredible engineering and scale. I began to paint parts of ships to capture this feeling. Not liking anything I had done so far I decided to completely switch my approach. I started using metaphors rather than literal interpretation. The first Maersk Swan portrayed this using bold lettering, neatly painted and the image of the ever epic swan from a side view showing the engineering in it's wings. This was painted in a very rough style directly onto unprimed linen, it was sketching with paint rather than painting. Liking this style which came about from an experiment I decided to do a second of the same image but only using the sketch style. Black Swan Raw in Black. This gave me the idea for the series, to repeat the same image, changing one element in each. This developed into a range of colours and optimising technique for painting the feathers.The bold orange works beautifully with natural colour of the linen. 
Evolution through repetition.
Black Swan Raw in Orange, third in the Black Swan Raw series. Continuing from my swan anatomy research, I painted the first one as part of the 'Weight and Power' project. Originally starting with research into vast container ships, an image that gives a sense of ore in it's incredible engineering and scale. I began to paint parts of ships to capture this feeling. Not liking anything I had done so far I decided to completely switch my approach. I started using metaphors rather than literal interpretation. The first Maersk Swan portrayed this using bold lettering, neatly painted and the image of the ever epic swan from a side view showing the engineering in it's wings. This was painted in a very rough style directly onto unprimed linen, it was sketching with paint rather than painting. Liking this style which came about from an experiment I decided to do a second of the same image but only using the sketch style. Black Swan Raw in Black. This gave me the idea for the series, to repeat the same image, changing one element in each. This developed into a range of colours and optimising technique for painting the feathers.The bold orange works beautifully with natural colour of the linen. 
Evolution through repetition.
Black Swan Raw in Orange, third in the Black Swan Raw series. Continuing from my swan anatomy research, I painted the first one as part of the 'Weight and Power' project. Originally starting with research into vast container ships, an image that gives a sense of ore in it's incredible engineering and scale. I began to paint parts of ships to capture this feeling. Not liking anything I had done so far I decided to completely switch my approach. I started using metaphors rather than literal interpretation. The first Maersk Swan portrayed this using bold lettering, neatly painted and the image of the ever epic swan from a side view showing the engineering in it's wings. This was painted in a very rough style directly onto unprimed linen, it was sketching with paint rather than painting. Liking this style which came about from an experiment I decided to do a second of the same image but only using the sketch style. Black Swan Raw in Black. This gave me the idea for the series, to repeat the same image, changing one element in each. This developed into a range of colours and optimising technique for painting the feathers.The bold orange works beautifully with natural colour of the linen. 
Evolution through repetition.

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Black Swan Raw in Orange Painting

Tommy Fiendish

United Kingdom

Painting, Acrylic on Other

Size: 32 W x 32 H x 1 D in

Ships in a Box

SOLD
Originally listed for $1,770

176 Views

2

Artist Recognition
link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

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Black Swan Raw in Orange, third in the Black Swan Raw series. Continuing from my swan anatomy research, I painted the first one as part of the 'Weight and Power' project. Originally starting with research into vast container ships, an image that gives a sense of ore in it's incredible engineering an...

Year Created:

2018

Subject:
Mediums:

Painting, Acrylic on Other

Rarity:

One-of-a-kind Artwork

Size:

32 W x 32 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I am a freelance painter, but my creative roots are diverse, extending into the realms of tattoos, sign writing, set design, and mural painting. These disciplines have infused my current practice with depth and versatility. Art, for me, is a response—a visceral reaction to images or visions that resonate deeply, provoking a physical sensation and a transformational shift within. This philosophy is a testament to my personal narrative; born in London and raised by a single mother, my formative years in Manchester, all punctuated by a period of exploration. Confronting personal challenges and mental health, I found my refuge in art, leading me back to education. My academic path culminated in a first degree in Illustration and Visual Media from the University of the Arts London, followed by a Master's in Painting from the Royal College of Arts in 2023. My life has always been a canvas, rich with experiences that have shaped my artistic voice. Although experimental, my core process lies with acrylics on un-primed linen. Teaming expressive marks and abstract ideas with pockets of graphic detail, painted with a minimal pallet mainly monochrome and two or three colours. Currently painting surreal figurative and architectural scenes using old images and metaphors to represent modern situations. It’s a dystopian social commentary, with a twist of macabre drollery. The creation of art in series allows me to explore ideas, themes and techniques. Although the subject varies there is a continuity in the tone. I enjoy creating a sense of drama within the work. This can be dialled back to a level of contained urgency and a sense of foreboding or unleashed, in full dramatic force. Now, settled in East London, my artistry continues to evolve, resonating with the influence of my father, also a painter whose impact is a subtle but enduring presence in my work. Together, these experiences meld to define my unique aesthetic—a reflection of a life both lived and imagined, channelled through the brush strokes of a painter who finds solace and expression in the vast landscape of art.

Artist Recognition
Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London, London, London, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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