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My works are earthly, starting with Junkyard Symphony, an approach related to the exterior, ground and waste. The space is increasingly populated by ordinary or current objects, but also by characters. trying to maintain a playful character through representation and recomposition. It passes into another register, the interior, the desires, the lust. but keeping the same horizontal plane.This was the beginning of this personal mythologies, with sincerity, boredom, suffering, desires, or guilty pleasures. Starting with Toxic Desire, I'm more interested in distinguishing my subjectivity and individual development. All the works took shape after personal experiences. From the representations of the bad choices we make through our superficiality and a hedonistic living, to the assumption of this flat existence. We are captive in a sort of limbo of desires. And on this realm I build my works, as a sequential reinterpretation of Hieronymus Bosch's Garden of Earthly Delights.
My works are earthly, starting with Junkyard Symphony, an approach related to the exterior, ground and waste. The space is increasingly populated by ordinary or current objects, but also by characters. trying to maintain a playful character through representation and recomposition. It passes into another register, the interior, the desires, the lust. but keeping the same horizontal plane.This was the beginning of this personal mythologies, with sincerity, boredom, suffering, desires, or guilty pleasures. Starting with Toxic Desire, I'm more interested in distinguishing my subjectivity and individual development. All the works took shape after personal experiences. From the representations of the bad choices we make through our superficiality and a hedonistic living, to the assumption of this flat existence. We are captive in a sort of limbo of desires. And on this realm I build my works, as a sequential reinterpretation of Hieronymus Bosch's Garden of Earthly Delights.
My works are earthly, starting with Junkyard Symphony, an approach related to the exterior, ground and waste. The space is increasingly populated by ordinary or current objects, but also by characters. trying to maintain a playful character through representation and recomposition. It passes into another register, the interior, the desires, the lust. but keeping the same horizontal plane.This was the beginning of this personal mythologies, with sincerity, boredom, suffering, desires, or guilty pleasures. Starting with Toxic Desire, I'm more interested in distinguishing my subjectivity and individual development. All the works took shape after personal experiences. From the representations of the bad choices we make through our superficiality and a hedonistic living, to the assumption of this flat existence. We are captive in a sort of limbo of desires. And on this realm I build my works, as a sequential reinterpretation of Hieronymus Bosch's Garden of Earthly Delights.
My works are earthly, starting with Junkyard Symphony, an approach related to the exterior, ground and waste. The space is increasingly populated by ordinary or current objects, but also by characters. trying to maintain a playful character through representation and recomposition. It passes into another register, the interior, the desires, the lust. but keeping the same horizontal plane.This was the beginning of this personal mythologies, with sincerity, boredom, suffering, desires, or guilty pleasures. Starting with Toxic Desire, I'm more interested in distinguishing my subjectivity and individual development. All the works took shape after personal experiences. From the representations of the bad choices we make through our superficiality and a hedonistic living, to the assumption of this flat existence. We are captive in a sort of limbo of desires. And on this realm I build my works, as a sequential reinterpretation of Hieronymus Bosch's Garden of Earthly Delights.
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Blue Is the Warmest Colour Painting

Edith Torony

Romania

Painting, Acrylic on Canvas

Size: 19.7 W x 27.6 H x 0.8 D in

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479 Views
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About The Artwork

My works are earthly, starting with Junkyard Symphony, an approach related to the exterior, ground and waste. The space is increasingly populated by ordinary or current objects, but also by characters. trying to maintain a playful character through representation and recomposition. It passes into another register, the interior, the desires, the lust. but keeping the same horizontal plane.This was the beginning of this personal mythologies, with sincerity, boredom, suffering, desires, or guilty pleasures. Starting with Toxic Desire, I'm more interested in distinguishing my subjectivity and individual development. All the works took shape after personal experiences. From the representations of the bad choices we make through our superficiality and a hedonistic living, to the assumption of this flat existence. We are captive in a sort of limbo of desires. And on this realm I build my works, as a sequential reinterpretation of Hieronymus Bosch's Garden of Earthly Delights.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:19.7 W x 27.6 H x 0.8 D in

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What you will see here is a perpetual search in the way I choose to think differently and to create myself as a visual seeker. Simplicity is valuable to me. Ideas come from everywhere, but they grow best in solitude. I like to reconstruct the world, to isolate things from their context, parts and elements from my compositions, reducing everything to what is essential, so that the subject will look as if it had been there for a long time, very natural, just expecting to be seen like that. Awareness is important, also the way you think and observe the world. I like contradictions and I think freedom is not something we can achieve;it is what we choose to have from the start in creating unconventional distinctive works.

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