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"Blue waterflowers" Painting

Sanja Vasiljevic, Serbia

Painting, Watercolor on Paper

17.4 W x 14.2 H in

Framed

$880

Shipping Included

14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

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This work is a part of the Spontaneous series. Made in total secrecy for 3 years until it has seen audience. Extensive use of water enables spontaneity and synchronicity to play a part in creation. The softness of colors, the undefined outlines invite the viewer to create own impression and engage...

Year Created:

2018

Subject:

Mediums:

Painting, Watercolor on Paper

Rarity:

One-of-a-kind Artwork

Size:

17.4 W x 14.2 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Other

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Serbia.

Customs:

Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Sanja Vasiljevic

About the Artist

Sanja Vasiljevic

Serbia

Sanja Vasiljević
Clinical Psychologist | Jungian Candidate | Artist

I was seven when my drawing of Saint Sava was published. I did not know then that I would become a clinical psychologist, train at the Jung Institute in Zürich, or spend fifteen years as an executive. I only knew that I saw the world in images—and that the world rewarded me for showing what I saw.

I have not stopped.

My art is not separate from my psychology. It is its visual language. These photographs and watercolors are field notes from the unconscious—records of thresholds, silences, and the architecture of places that shape who we become.

I have exhibited four times: twice with photographs, twice with paintings. I have lived between Belgrade, Divčibare, America, and most recently China, where I walked the streets of Chengdu and stood before red gates that felt like dreams I had forgotten.

I am not a hobbyist. I am not a therapist who paints on weekends.

I am a psychologist who processes the world through images—and an artist who thinks in systems.

If you are drawn to these pieces, you are likely drawn to what lives beneath the surface. That is where I work. And that is where these images come from.

Welcome to my visual field notes.

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