






Painting, Acrylic on Canvas
16 W x 24 H in
Ships in a Crate
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This artwork is not for sale.
Painting, Acrylic on Canvas
One-of-a-kind Artwork
16 W x 24 H x 1 D in
Not Applicable
Not Framed
Certificate is Included
Ships in a Crate
Shipping is included in price.
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
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Artist’s Statement by Lawrence Burrow.
In this collection my focus has been on the connection between the
skills people hold and their recreational activities. The images which I have
retrieved to use in this body of work are those which have collated in my
imagination because of their colour, shape or symbolic nature. My work is
built on a desire to express my passion for every element which I absorb on
my journey through the normalities of everyday life and I use the emotions
which are inherent in human nature to inspire my paintings.
‘War baby’ is an example of how ignorance within individuals
breeds fear within society, which leads to violence. This chain is expressed
in the fear of the figure, who has had to protect herself from cruelty which
has been caused by the ignorance of others whom she has been in contact
with her whole life. The figure is walking away from this violence with her
baby, who she is protecting with her life. She is walking into the sun and a
better life; free of ignorance.
Once you go past the initial amusement of ‘Friday Night (Can’t
Wait)’ and begin to understand the excitement and compassion of that
captured moment it makes me excited because it reminds me of prosperous
times when Friday was the day that girls finished their factory work early,
and the boys finished their shifts down the pit. They all met up to enjoy
themselves and look forward to the weekend, allowing themselves to forget
about work until Monday.
Something which was not realised by myself until I had completed
the body of work was the religious theme that runs through the images, they
have become metaphorical in a sense that they are held together almost like
a stain glass window which would be found in a church because of the
shapes and colours which form the images. The idea of religion is something
which affects not only mine, but everybody’s lives, whether they are
followers or not, because of its positive and destructive impact that it can
have on society, which is why it is so prevalent in my work.
Every day we capture moments almost subconsciously which
assemble in our minds as images, sounds, smells and vibrations. My work is
the experience of how these moments are collated automatically in my
mind; when they are constructed on the canvas it allows me to de construct
them in my mind, which allows me to realise what they mean to me.
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