• Saatchi Art Artist DAVIS LISBOA; Painting, “Boîte-en-valise 8” #art
  • additional image
    Davis Lisboa, “Boîte-en-valise 8”, 2018, oil on canvas, 15,74 x 15,74 x 1,5 in (40 x 40 x 3,5 cm)
  • additional image
    Davis Lisboa, “Boîte-en-valise 8”, 2018, oil on canvas, 15,74 x 15,74 x 1,5 in (40 x 40 x 3,5 cm)
  • additional image
    Davis Lisboa, “Boîte-en-valise 8”, 2018, oil on canvas, 15,74 x 15,74 x 1,5 in (40 x 40 x 3,5 cm)
  • additional image
    Davis Lisboa, “Boîte-en-valise 8”, 2018, oil on canvas, 15,74 x 15,74 x 1,5 in (40 x 40 x 3,5 cm)
  • additional image
    Davis Lisboa, “Boîte-en-valise 8”, 2018, oil on canvas, 15,74 x 15,74 x 1,5 in (40 x 40 x 3,5 cm)
  • additional view of artwork by DAVIS LISBOA
  • additional view of artwork by DAVIS LISBOA
  • additional view of artwork by DAVIS LISBOA
  • additional view of artwork by DAVIS LISBOA
  • additional view of artwork by DAVIS LISBOA

"Boîte-en-valise 8"


Spain

Painting
Size: 19.7 H x 19.7 W x 1.6 in

Ships in a cardboard box This work will ship flat in a sturdy, well-protected cardboard box. Read more

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Artist Recognition

Artist featured in a collection Artist featured in a collection

Art Description

Painting: Oil on Canvas.

THE PAINTING SECTION FROM DAVIS MUSEUM

The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona

Davis Lisboa, “Boîte-en-valise 8”, 2018, oil on canvas, 19,68 x 19,68 x 1.57 in (50 x 50 x 3.5 cm)

What/who inspired the work?
Conceptually, this oil painting was inspired by "Boîte-en-valise” (Box in a suitcase) by Marcel Duchamp (1887-1968), one of the most important and influential, but also one of the least know, of twenty-century works of art.
In 1936, Duchamp began work on the making of a “portable museum" that was to contains his principal works in miniature: paintings, drawings, objects and readymades. On 1 January 1941, he made public in Paris the first copy of his multiple, "de ou par MARCEL DUCHAMP ou RROSE SÉLAVY": a cardboardbox that fitted inside a handy valise and contained a total of sixty-nine miniature replicas, models and reproductions of his works. During the remainder of Duchamp's life there followed six further partial editions, incorporating additional items and varying in presentation from a leather covered de luxe version, the Boîte-en-valise proper, to standard model, the “Boîte".

Formally, I was inspired by the German painter Gerhard Richter, who began in 1960's to create his iconic photographic paintings. From a collection of photographs that he added throughout his life - from press clippings to family photos - Richter projected and drew the images on a canvas. In the process of recreating the photos, he erased the images, leaving the subjects unidentifiable.

What do you hope its viewers will think?
I hope that viewers understand that there is a narrative within the history of art that deals with the artists who created their own museums. This narrative is constructed through Marcel Duchamp (Boîte-en-valise, 1936-1941), Robert Filliou (La galerie légitime, 1962-1963) and Marcel Broodthaers (Musée d'Art Moderne, Département des Aigles, 1968-1972) . Following this narrative, I decided to create the Davis Museum, The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona (2009-ongoing), which is, simultaneously, a readymade sculpture, a non-profit collective art project, and at the same time, a cultural entity recognized by the Generalitat de Catalunya (an Autonomous Community in Spain).
Created symbolically in an electoral ballot box and disseminated mainly through Facebook, the Davis Museum is also the smallest contemporary art museum in the world.

This cultural entity has several sections and one of them is "The Paintings Section From Davis Museum". It is divided into portraits and still lifes. The portraits represent Marcel Duchamp, Robert Filliou and Marcel Broodthaers; while still lifes represent the "Boîte-en-valise" (Box in a suitacase), the "Galerie légitime" (Legitimate gallery) and the "Musée d'Art Moderne, Département des Aigles" (Museum of Modern Art, Department of Eagles).

Why did you choose the medium, the frame format and the color?
I chose oil on canvas because I am interested in painting not only because of its versatility as a medium but also because of its rich historical repository of images and ideas. Only the best materials have been used for this work: linen canvas, oil paintings by Old Holland and medium by Blockx. As the Davis Museum is a cube, I chose the frame of the paintings to be square. And since the Davis Museum's brand color is blue, I chose the same color for all the paintings.

https://www.saatchiart.com/art/Painting-Bo-te-en-valise-8/9326/4115097/view

THE PAINTINGS FROM DAVIS MUSEUM
IN PUBLIC AND PRIVATE COLLECTIONS

Alejandro Vásquez Herrero Collection,
Viladecans, Barcelona, Spain.
Francesc Torres Collection, Barcelona, Spain.
Geert De Kegel Collection, Zele, Belgium
Geert De Kegel Collection, Zele, Belgium.
Yellowstone Club Collection, Big Sky, Montana, USA.
Yellowstone Club Collection, Big Sky, Montana, USA.

Keywords: Micro Museum, Bluish, Suitcase, Rrose Sélavy, Monocrome, Marcel Duchamp, Mini-museum, Readymade, Gerhard Richter, Portable Museum, Box In A Suitcase, Miniature

Subjects: Still Life

Styles: Conceptual, Documentary, Figurative, Fine Art, Photorealism

Mediums: Oil

Materials: Canvas

Artist Recognition

Artist featured in a collection Artist featured by Saatchi Art in a collection

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2 months ago