VIEW IN MY ROOM
Germany
Painting, Acrylic on Canvas
Size: 59 W x 48 H x 1 D in
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In the tranquil expanse of this canvas, an evocative landscape unfolds, a composition that invites one to immerse themselves in the suggestion and mysterious beauty of the incomplete. The dunes, like motionless waves, rest in the foreground, their soft and silky form captured by delicate, ethereal brushstrokes. Although the sea itself remains veiled, its influence is palpable in the salty and fresh air that seems to permeate every inch of the scene. The sky, a canopy of muted gray tones, becomes the dramatic backdrop for the earthly scene. The clouds swirl in a silent dance, concealing the sunlight struggling to penetrate the layers of mist. It is a sky that reflects the inner tumult of nature and is captured in tones oscillating between pale white and stormy gray. Nevertheless, the most fascinating element reveals itself in the human figures wandering in this mysterious land. Two or three silhouettes gently outline against the panorama of the dunes. One of them, on the threshold of the mist, seems to fade, dissolving into the ethereal atmosphere. It is as if the boundary between the real and the ethereal blurs, inviting contemplation of the transience of existence and the impermanence of things. The technique used in this work is a delicate movement between matter and its absence. Color caresses the canvas surface with a softness reminiscent of the touch of skin. The texture is barely perceptible, and in its place, brushstrokes weave into a sense of flowing movement and gentle motion. Each stroke seems to contain a part of the mystery that surrounds the fog.
Original Created:2023
Subjects:Landscape
Materials:Canvas
Styles:FigurativeMysticNaturalistic
Mediums:Acrylic
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:59 W x 48 H x 1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
I was born in an old, large house with high ceilings and eleven rooms in the city of Lima. There my parents lived with my seven brothers. The smell of the good seasoning of the dishes prepared by my mother and the smell of oil, water, terpentine are mixed in my memory. In one of the spaces my dad had his desk, his books, his materials and his easel: he was a painter and his subject was the portrait. With the still lifes that our father put together, my relationship with art began. My father read a lot and knew the history of art very well, his stories, his anecdotes were always fuelling my curiosity to see other worlds, relate to other cultures and see live the works of the great masters. That's how I came to Germany with the illusion of studying at an art school and visiting the great museums. For two years I visited the Städelsches Art Institute in Frankfurt, Germany. In that city I met my husband, who continues to accompany me in this beautiful adventure and I brought my best creation to the world: Rainer and Silke, my children. I returned to my studies at the National School of Fine Arts in Lima and I was fortunate to have as a teacher the artist Miguel Angel Cuadros who not only knew how to teach the different pictorial techniques but also knew how to transmit the principles that the artist must have before his work and his audience My husband worked in development projects and for that reason I have been in different countries in Latin America, always having as a place of residence the city of Berlin. This experience has enriched me as a person and influenced my work. At the University of the Arts in Berlin I did a master's degree. The study was aimed at cultural work with young people and children. Feeling the nostalgia of living far from Peru and knowing the difficult situation that was lived in the era of terrorism, my first works were figurative with a strong social burden and denunciation. The pre-Hispanic cultures were always my fascination and I have dedicated many works dealing with these issues, concrete case El Pallar (Lima Bean). An image that has an important presence in the iconography of pre-Hispanic cultures. Without realizing, the human figure was disappearing from my canvas to make way for the space of the deserts. The desert occupies a considerable part of the Peruvian territory and was the cradle of important pre-Hispanic cultures; with this topic I have been working the last twenty years.
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