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CAOS Painting

Alfredo Faria

Brazil

Painting, Acrylic on Canvas

Size: 63 W x 66.9 H x 1.2 D in

Ships in a Crate

SOLD
Originally listed for $2,590

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

CHAOS - ATOMIC EXPLOSION NUCLEAR , BE IN SELF DESTRUCTION THE MAN DESTROYING PLANET EARTH IN A GRADUAL MANNER THROUGH MOMENTARY SATISFACTION

Year Created:

2016

Subject:
Medium:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

63 W x 66.9 H x 1.2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Brazil.

Customs:

Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Alfredo Faria, Goiânia, Brazil68 years old1952- was born in Goiânia (GO) Brazil  1981- concludes the course of architecture and urbanism (PUC-GO), having as one of the art teachers the painter Frei Confaloni  1981- begins to exhibit his works (individual and collective) - both in Brazil and abroad (20 individual exhibitions).  The main theme of my work is the man.  The man with his interferences in the nature and consequently, the answers of this,  In the very being during his transient stay on planet Earth.  This is one of the reasons for the work to move between Expressionism; abstract expressionism; cubism or even abstractionism.  As for the technique used there is a variation depending on the theme or the size of the work: acrylic oil, pastel chalk (oil or dry), graphite, among others.  "Alfredo Faria improved his pictorial language over several years of artistic work, begun in 1973, in a kind of reinvention and sustainability, a poetic invention, an intuition to what would happen later: work in profusion and integration of colors.  It has a symbolic vision centered on man as a cosmic being, as a mystical being that feeds on the relationship of several of its themes, such as the impermanence of being, life, the whole, built in a language that suggests integration of various elements often of different dimensions to each other.  The artist, who is also an architect, has been filled with creative brilliance such as a central point of inventive attitude, engendering geometric associations that imply reflections of fundamental features of the contemporary. That is why the constant presence of man and woman as figures inhabiting a world full of mysteries, questions or ramblings in spaces delineated by an aura of mysteries.  His work shows a broad alternative of beauty, color and meaning. All colors, ranging from yellow to red, to blue, fixed in fast, strong strokes, enriched by the nuclei that circulate between the dream climate, reality, composition, balance and rigid disposition to work".  Miguel Jorge (APCA - AICA)  . Associação Paulista de Críticos de Arte  . Association Internationale des Critiques d'Art

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