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"CASTLE NO. 1" Painting

Ataya Artisia, Indonesia

Painting, Acrylic on Canvas

19.7 W x 29.5 H in

Framed

This artwork is not for sale.

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Castle No. 1 explores the interplay between structured and organic forms. Geometric blocks in blue-green tones establish an architectural foundation, within which soft white shapes settle and expand. Subtle blue accents guide the viewer's gaze across the composition, creating a visual rhythm that ba...

Year Created:

2021

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 29.5 H x 1.6 D in

Ready to Hang:

No

Frame:

Other

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Indonesia.

Need more information?

Need more information?

Ataya Artisia is a Bali-based artist working across painting, mixed media, and digital art. Since relocating to Bali in 2018, her work has become a search for origins, primal structures of life, rhythms of growth, and unseen geometries that shape existence. ​ Working with layered acrylic combined with plaster and sand, watercolor, and digital tools, she creates textured and fluid worlds where forms arise intuitively. Her visual language moves between biomorphic and geometric abstraction, offering images that feel both ancient and contemporary. ARTIST STATEMENT ​ Ataya Artisia’s works explore organic forms that echo structures one might imagine under a microscope, yet they are not literal illustrations of biology. They are artistic interpretations of life’s processes: the impulse to grow, the inner intelligence of form, and the evolutionary memory that lives in our cells. These shapes might belong to another planet or an unfamiliar universe, yet they all embody interaction, transformation, and becoming. She is drawn to what exists before culture and language, to the primal rhythms that connect all living things. Through biomorphic abstraction, the artist creates contemplative spaces where viewers can slow down, attune to subtle organic patterns, and sense the quiet presence of life itself. (b. 1996, Moscow)

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