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Painting, Enamel on Wood
Size: 59.8 W x 48 H x 0.4 D in
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En el capítulo III de Moby Dick, se describe que a la entrada de “La posada del Chorro”, cuelga una “gran pintura al óleo difuminado a conciencia y pintarrajeada en todos los sentidos…”, “una larga, flexible y portentosa masa negra de algo que se cernía en el centro de la pintura sobre tres líneas azules, borrosas y perpendiculares, que flotaban en una levadura innominable”, “una pintura cenagosa, mojada, pútrida…”, “es el mar Negro durante un vendaval de medianoche?”, “es el combate artificial de los cuatro elementos primarios?”, “es un brezal por los aires?”, “es una escena invernal hiperbórea?”, “es la ruptura del gélido arroyo del tiempo?”, Leviatán?. Cuando yo leía este pasaje del libro me imaginaba cosas que terminaron en este cuadro, después el relato describe con claridad y precisión lo que representaba en realidad ese cuadro: “era un buque del Cabo de Hornos en un gran huracán; el navío medio hundido en la mescolanza con sus únicos tres mástiles visiblemente desmantelados, y una ballena exasperada que, con el propósito de limpiar completamente la nave, se atraviesa sobre los tres mastelerillos”. Pero antes de la descripción “clara y precisa”, yo ya me había inventado mi propia versión de esa pintura que colgaba en la posada del Chorro, y terminó en esto
2022
Enamel on Wood
One-of-a-kind Artwork
59.8 W x 48 H x 0.4 D in
Not Framed
No
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Chile.
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Born 1975 in Quilpué, Chile. His paintings bring out the utilization of strong and vivid colors, and move around abstract styles, abstract expressionism or surrealism in order to leave intuition to come up with the outcome of the work, the automatism when confronting the canvas, as basic principles of these movements. Neither themes, nor clear figurations are explicitly seen, only harmonies of sinous lines accompanied by color fields of multi-color stains that turn into optic illusions that change depending on the observer. He has performed individual expositions in the city of ValparaÃso. He has created the art collective "Niños con Gillete" with his sons, where the work based upon the exploitationof the immense field of children's imagination through painting. He defines his work as an adventure that has a point of start, but he does not know where he may finish. It's not a conceptual work at all, it's intuitive, in opposite to other ways of painting it seeks nothing, it makes its way. Raimundo Antonio España Moran South America Chile mobil phone: +56 9-93829002 self painting instagram: raimundo_espana
Artist featured by Saatchi Art in a collection
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