155 Views
8
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Painting, Oil on Canvas
Size: 49.2 W x 66.9 H x 0.8 D in
Ships in a Tube
$3,940
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155 Views
8
Artist Recognition
Featured in Rising Stars
Featured in the Catalog
Artist featured in a collection
ABOUT THE ARTWORK
I view the process of concept formation as the foundation of our ability to make sense of the reality around us. I focus on the search for an ideal image of an object and the attributes that form the scope of a particular concept. The process consists in abstracting the attributes from the concrete object and in a logical synthesis that allows us to form a generalized understanding of the object, i.e. universals. Considering the paradox of the ideal form, which may not coincide with concrete objects, opens a space for thinking about the variability of perception. The question of the existence of an ideal image implies considering it as an abstraction that may not correspond to any concrete instance in in physical space.
Original Created:
2024
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Painting:
Oil on Canvas
Original:
One-of-a-kind Artwork
Size:
49.2 W x 66.9 H x 0.8 D in
Frame:
Not Framed
Ready to Hang:
No
Packaging:
Ships Rolled in a Tube
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Turkey.
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Albina Onay
Turkey
Albina Onay graduated from Mimar Sinan Fine Arts University Fine Arts Department in 2022 and practiced printmaking and lithography at university. What interests me the most is the difference between reality and memory. The phenomenon of combining different experiences is the illusion of memory. I’m interested in putting a lot of things in memory that happened or could have happened. In my work, I try to reveal the personal sense of time and space that connects the past to the present. I like to observe the ability of events to flow and transform from ordinary history into a literary narrative with branched meanings and random contextual shifts. To do this, I combine my interest in the concepts of time, memory, the subconscious with the past and personal perception of the present and explore these ideas through the texture. Rich creative analysis arising from the interaction of opposites and contradictions is my motivation.
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