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Charles Adrien Wettach alias Grock - der König der Clowns. Painting

Nicholas Ganz

Germany

Painting, Oil on Canvas

Size: 25.1 W x 17 H x 0.7 D in

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ABOUT THE ARTWORK

I am a big fan of Helge Schneider. In one of his interviews, he talked about his roots and the clowns that inspired him. Based on this, I started to look into clowns of the past. Some of their stories were very revealing and showed a lot about the times in which they were active. Their performances (if there were still recordings of them) were also very artistic, chaotic or full of slapstick. I sometimes laughed a lot. For me, clowns play a special role in society. Their job is to make people laugh and to pull them out of their everyday lives and forget them for a few hours. They often stand outside the political arena and people tend to know them in the role they embody rather than as the personality behind it. So last year I decided to portray some of these important clowns. Both in their role, but above all the person behind them. I started with the Swiss musical clown Grock alias Charles Adrien Wettach (1880 - 1959). He mastered 15 instruments and spoke 6 languages fluently. He began performing in a circus at an early age and called himself "Grock" from 1910. He became world-famous with his show and his performances in what was then Nazi Germany later earned him harsh criticism. However, with the outbreak of the Second World War, he did not perform for the time being and - unlike Charlie Rivel - there is no evidence of any right-wing sentiment in his work. His autobiography ends with the sentence: "How happy I am to be just a clown!"

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

25.1 W x 17 H x 0.7 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I like contradictions. Life is full of contradictions. Like yin and yang, my paintings combine these opposites into an overall picture. The rapid application of paint with the spray can and the pause when painting with the brush, the clearly outlined areas of the stencil technique stand next to the merging colors of oil painting. I need these contrasts, because sometimes this fire blazes in me and at the same time I also enjoy the stillness of slowness. All this energy is transferred to my works. I like to tell stories in my paintings. My focus is on the stories and experiences that can shape and define a personality. The stories I choose and portray connect with the experiences of the viewer. It is an invitation to linger and reflect. Thus, I capture a meditative mood in my paintings and create works that do not pass like a brief moment. Just like a view from the train window, past which the world rushes and turns on.

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