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Abstract expressionist painting with layers of color and varied mark making techniques.  Acrylic on cradled hardboard panel panel, signed and dated on the back.  Wired and ready for installation.
Abstract expressionist painting with layers of color and varied mark making techniques.  Acrylic on cradled hardboard panel panel, signed and dated on the back.  Wired and ready for installation.
Abstract expressionist painting with layers of color and varied mark making techniques.  Acrylic on cradled hardboard panel panel, signed and dated on the back.  Wired and ready for installation.
Abstract expressionist painting with layers of color and varied mark making techniques.  Acrylic on cradled hardboard panel panel, signed and dated on the back.  Wired and ready for installation.
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Chinaberry
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Chinaberry Painting

Mary Robertson

United States

Painting

Size: 24 W x 24 H x 1.5 D in

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About The Artwork

Abstract expressionist painting with layers of color and varied mark making techniques. Acrylic on cradled hardboard panel panel, signed and dated on the back. Wired and ready for installation.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:24 W x 24 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am an abstract painter working in oil, acrylic, and watercolor. I switch between mediums frequently, and I often experiment with a variety of tools. Experimentation and chance have been catalysts toward new bodies of work. My artwork is represented by Unsettled Gallery in Las Cruces, New Mexico. Generally, I have painted in an abstract aerial landscape style, and I tend to favor a bright palette with lots of contrast. My painting process is explorative. I rarely plan a painting. Rather, I begin by making gestural marks. Those skeletal marks influence the direction of the painting, giving the process a beginning. Form is brought to life with the use of color, and I will often give "objects" subtle shadows to convey a sense of depth in my non-objective pieces, hinting at what I like to call "personification of form." A square of color appears to float with a small shadow under it, nearly making it an actual thing, and giving it a personality of sorts. The process of painting involves making these forms relate to each other, becoming a whole painting in the end. www.thepainterspeaks.wordpress.com www.maryrobertson.us www.pinterest.com/jumeauxstudio/ www.facebook.com/mary.robertson.artist www.themaryrobertson.tumblr.com

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