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vintage D.B. Fuller and Co. yellow rose cotton fabric circa 1950, fire, wood, ash and ember - Remembering the Burning Times - Christiane Grahame Execution Date: October 27, 1621 Location: Glasgow, Scotland Execution Method: Strangle and Burn Christiane was a known healer. She was approximately 50 years old when she was accused of being a witch and sentenced to die. “The superior learning of witches was recognized in the widely extended belief of their ability to work miracles. The witch was in reality the profoundest thinker, the most advanced scientist of those ages. As knowledge has ever been power, the church feared its use in women's hands, and leveled its deadliest blows at her." - Matilda Joslyn Gage, 1893
vintage D.B. Fuller and Co. yellow rose cotton fabric circa 1950, fire, wood, ash and ember - Remembering the Burning Times - Christiane Grahame Execution Date: October 27, 1621 Location: Glasgow, Scotland Execution Method: Strangle and Burn Christiane was a known healer. She was approximately 50 years old when she was accused of being a witch and sentenced to die. “The superior learning of witches was recognized in the widely extended belief of their ability to work miracles. The witch was in reality the profoundest thinker, the most advanced scientist of those ages. As knowledge has ever been power, the church feared its use in women's hands, and leveled its deadliest blows at her." - Matilda Joslyn Gage, 1893
vintage D.B. Fuller and Co. yellow rose cotton fabric circa 1950, fire, wood, ash and ember - Remembering the Burning Times - Christiane Grahame Execution Date: October 27, 1621 Location: Glasgow, Scotland Execution Method: Strangle and Burn Christiane was a known healer. She was approximately 50 years old when she was accused of being a witch and sentenced to die. “The superior learning of witches was recognized in the widely extended belief of their ability to work miracles. The witch was in reality the profoundest thinker, the most advanced scientist of those ages. As knowledge has ever been power, the church feared its use in women's hands, and leveled its deadliest blows at her." - Matilda Joslyn Gage, 1893
vintage D.B. Fuller and Co. yellow rose cotton fabric circa 1950, fire, wood, ash and ember - Remembering the Burning Times - Christiane Grahame Execution Date: October 27, 1621 Location: Glasgow, Scotland Execution Method: Strangle and Burn Christiane was a known healer. She was approximately 50 years old when she was accused of being a witch and sentenced to die. “The superior learning of witches was recognized in the widely extended belief of their ability to work miracles. The witch was in reality the profoundest thinker, the most advanced scientist of those ages. As knowledge has ever been power, the church feared its use in women's hands, and leveled its deadliest blows at her." - Matilda Joslyn Gage, 1893
vintage D.B. Fuller and Co. yellow rose cotton fabric circa 1950, fire, wood, ash and ember - Remembering the Burning Times - Christiane Grahame Execution Date: October 27, 1621 Location: Glasgow, Scotland Execution Method: Strangle and Burn Christiane was a known healer. She was approximately 50 years old when she was accused of being a witch and sentenced to die. “The superior learning of witches was recognized in the widely extended belief of their ability to work miracles. The witch was in reality the profoundest thinker, the most advanced scientist of those ages. As knowledge has ever been power, the church feared its use in women's hands, and leveled its deadliest blows at her." - Matilda Joslyn Gage, 1893
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Christiane Painting

Kimberley Bruce

Canada

Painting, Fabric on Wood

Size: 18 W x 18 H x 1.5 D in

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$840

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About The Artwork

vintage D.B. Fuller and Co. yellow rose cotton fabric circa 1950, fire, wood, ash and ember - Remembering the Burning Times - Christiane Grahame Execution Date: October 27, 1621 Location: Glasgow, Scotland Execution Method: Strangle and Burn Christiane was a known healer. She was approximately 50 years old when she was accused of being a witch and sentenced to die. “The superior learning of witches was recognized in the widely extended belief of their ability to work miracles. The witch was in reality the profoundest thinker, the most advanced scientist of those ages. As knowledge has ever been power, the church feared its use in women's hands, and leveled its deadliest blows at her." - Matilda Joslyn Gage, 1893

Details & Dimensions

Painting:Fabric on Wood

Original:One-of-a-kind Artwork

Size:18 W x 18 H x 1.5 D in

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creating art by breathing abstraction into emotion. pursuing confusion haziness obscurity. meanings shift. memories intrude. past and present fuse. poetic artworks in which myth and reality collide. Kimberley's artwork is held in private collections worldwide. Kim currently lives and works on Vancouver Island, Canada.

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