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Chromatic Aberrations: If photography is simulating reality, then I’m doing the opposite - by using traditional tools I try to capture the photography.

These paintings came to life when I started looking for something that was considered a flaw in one medium(photography) and could be turned in to something appealing in other(painting).

Paintings from series "Chromatic Aberrations" been exhibited in group and solo exhibitions in the United States and Italy.

More paintings and info via info@tadaocern.com or visit www.tadaocern.com

Paintings from these series could be traveling with exhibitions abroad and it can take up to 30 for the work to be shipped out of my studio.
Chromatic Aberrations: If photography is simulating reality, then I’m doing the opposite - by using traditional tools I try to capture the photography.

These paintings came to life when I started looking for something that was considered a flaw in one medium(photography) and could be turned in to something appealing in other(painting).

Paintings from series "Chromatic Aberrations" been exhibited in group and solo exhibitions in the United States and Italy.

More paintings and info via info@tadaocern.com or visit www.tadaocern.com

Paintings from these series could be traveling with exhibitions abroad and it can take up to 30 for the work to be shipped out of my studio.
Chromatic Aberrations: If photography is simulating reality, then I’m doing the opposite - by using traditional tools I try to capture the photography.

These paintings came to life when I started looking for something that was considered a flaw in one medium(photography) and could be turned in to something appealing in other(painting).

Paintings from series "Chromatic Aberrations" been exhibited in group and solo exhibitions in the United States and Italy.

More paintings and info via info@tadaocern.com or visit www.tadaocern.com

Paintings from these series could be traveling with exhibitions abroad and it can take up to 30 for the work to be shipped out of my studio.
Chromatic Aberrations: If photography is simulating reality, then I’m doing the opposite - by using traditional tools I try to capture the photography.

These paintings came to life when I started looking for something that was considered a flaw in one medium(photography) and could be turned in to something appealing in other(painting).

Paintings from series "Chromatic Aberrations" been exhibited in group and solo exhibitions in the United States and Italy.

More paintings and info via info@tadaocern.com or visit www.tadaocern.com

Paintings from these series could be traveling with exhibitions abroad and it can take up to 30 for the work to be shipped out of my studio.

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Chromatic Aberrations, cac8ce, 2017 Painting

TADAO CERN

Lithuania

Painting, Airbrush on Canvas

Size: 47.2 W x 47.2 H x 0.4 D in

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$3,750

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861 Views

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ABOUT THE ARTWORK

Chromatic Aberrations: If photography is simulating reality, then I’m doing the opposite - by using traditional tools I try to capture the photography. These paintings came to life when I started looking for something that was considered a flaw in one medium(photography) and could be turned in to something appealing in other(painting). Paintings from series "Chromatic Aberrations" been exhibited in group and solo exhibitions in the United States and Italy. More paintings and info via or visit Paintings from these series could be traveling with exhibitions abroad and it can take up to 30 for the work to be shipped out of my studio.

DETAILS AND DIMENSIONS
Painting:

Airbrush on Canvas

Original:

One-of-a-kind Artwork

Size:

47.2 W x 47.2 H x 0.4 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Visual perception together with a creative process is very much influenced by the things that have been learned while working as an architect. I was deeply interested in human behavior and habits – I worked around or with them. Now, as for the artist, the field of interest stayed the same – I question what affects our actions in a certain way and can these things be changed. I operate in a laboratory where creative thinking serves as a foundation for experiments that are trying to envision our behavioral boundaries. As an artist, I document, transform, recreate or get rid of them. It is a delight obligation to take mundane, banal objects or occurrences and strip them to their basic concepts which work as a refreshment, helping us to find things that have been forgotten or taken for granted. My creative style is very much affected by my architectural background as well: the process is systematic; all my artistic decisions are calculated and I’m always looking for the most hygienic expressions so ideas would become as clean as possible.

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Featured in Saatchi Art's curated series, One To Watch

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