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julia's paintings take time,the layered painting process employed in the work acts like the mutability of memory- hiding, revealing, inventing and luxuriating in the sheer physicality of paint.
She uses mark-making and drawing to reveal a world half glimpsed or dreamt, referencing gardens and cities in a mix of imagery that becomes like an elegiac soundtrack, as a piece of music might remind you nostalgically of a certain time.
Her distinct visual language is anchored in colour- chromatic greys and browns offset by strong saturated red, orange or turquoise; poignant shades echoing a city at twilight or a garden at dusk.

Julia is influenced by British and American modernist painters of the 50’s and 60’s and a love of music especially Jazz.
julia's paintings take time,the layered painting process employed in the work acts like the mutability of memory- hiding, revealing, inventing and luxuriating in the sheer physicality of paint.
She uses mark-making and drawing to reveal a world half glimpsed or dreamt, referencing gardens and cities in a mix of imagery that becomes like an elegiac soundtrack, as a piece of music might remind you nostalgically of a certain time.
Her distinct visual language is anchored in colour- chromatic greys and browns offset by strong saturated red, orange or turquoise; poignant shades echoing a city at twilight or a garden at dusk.

Julia is influenced by British and American modernist painters of the 50’s and 60’s and a love of music especially Jazz.
julia's paintings take time,the layered painting process employed in the work acts like the mutability of memory- hiding, revealing, inventing and luxuriating in the sheer physicality of paint.
She uses mark-making and drawing to reveal a world half glimpsed or dreamt, referencing gardens and cities in a mix of imagery that becomes like an elegiac soundtrack, as a piece of music might remind you nostalgically of a certain time.
Her distinct visual language is anchored in colour- chromatic greys and browns offset by strong saturated red, orange or turquoise; poignant shades echoing a city at twilight or a garden at dusk.

Julia is influenced by British and American modernist painters of the 50’s and 60’s and a love of music especially Jazz.
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"Closing the Garden" Painting

Julia Burns

United Kingdom

Painting, Acrylic on Paper

Size: 19.7 W x 21.3 H x 0.1 D in

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ABOUT THE ARTWORK

julia's paintings take time,the layered painting process employed in the work acts like the mutability of memory- hiding, revealing, inventing and luxuriating in the sheer physicality of paint. She uses mark-making and drawing to reveal a world half glimpsed or dreamt, referencing gardens and cities in a mix of imagery that becomes like an elegiac soundtrack, as a piece of music might remind you nostalgically of a certain time. Her distinct visual language is anchored in colour- chromatic greys and browns offset by strong saturated red, orange or turquoise; poignant shades echoing a city at twilight or a garden at dusk. Julia is influenced by British and American modernist painters of the 50’s and 60’s and a love of music especially Jazz.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Paper

Original:

One-of-a-kind Artwork

Size:

19.7 W x 21.3 H x 0.1 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Julia’s work explores the physicality of painting, the use of colour to give an illusion of space within the work and the application of mark almost as a ‘beat’ within the pieces. The paintings explore the poetry of lost things. They describe encounters within the world and the impossibility of assimilation or permanence. They are concerned with memory, the fleeting glimpse, traces and journeys not taken and elegiac shifts of balance. The work sometimes alluding to interiors or landscapes but is essentially about colour relationships and improvisations, the process of the painting revealing the image through time. “I am interested in creating paintings which act like soundtracks to a particular time.” The paintings are acrylic paint and crayon on paper worked in many thin layers to achieve the richness of colour. The crisply masked edge ‘contains’ the sometimes-elusive imagery and the addition of crayon drawing adds a broken textural line. Julia has been a practicing artist since 1983. She has exhibited widely in Britain and Europe. She is a member of the Wolverhampton Society of Artists.

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