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"Contradistinctional Boundaries" is part of the “Aggregative” series which uses vividly coloured hard edge quadrilateral shapes on neutral ground to explore asymmetrical composition and relational colour perception. The painting is acrylic on clear gessoed 10 duck canvas. Its' signed on the back, unframed, and can be float mounted, matted, or placed in a 10" X 8" frame with or without glass.

For the past 20 years I’ve been creating non-objective abstract artworks to explore transcendentalism. My images have a clean minimal aesthetic which depict hard edged geometric configurations imbued with vivid colours. The inherent objectless architectonic harmony of my pictures was devised as a solution to the burdens of modernity (being restlessness and relentless distraction.) These works aim to both puzzle and engage the eye of the viewer while minimizing distraction. My hope is that the observer becomes entranced leaving one’s heart agape so his/her attention can gracefully settle into experiencing the ineffable witness state. As the serene equanimity of observance subsides, the beholder emerges with a sensation of renewal. Often the witness also retains a lingering notion and/or familiar feelings from which a narrative may be gleaned. This whole process may happen in an instant, or may be prolonged, but it is generally of a pleasing nature.

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Contradistinctional Boundaries Painting

Todd Schulz

Canada

Painting, Acrylic on Canvas

Size: 8 W x 10 H x 0.1 D in

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$350

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407 Views

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ABOUT THE ARTWORK

"Contradistinctional Boundaries" is part of the “Aggregative” series which uses vividly coloured hard edge quadrilateral shapes on neutral ground to explore asymmetrical composition and relational colour perception. The painting is acrylic on clear gessoed 10 duck canvas. Its' signed on the back, unframed, and can be float mounted, matted, or placed in a 10" X 8" frame with or without glass. For the past 20 years I’ve been creating non-objective abstract artworks to explore transcendentalism. My images have a clean minimal aesthetic which depict hard edged geometric configurations imbued with vivid colours. The inherent objectless architectonic harmony of my pictures was devised as a solution to the burdens of modernity (being restlessness and relentless distraction.) These works aim to both puzzle and engage the eye of the viewer while minimizing distraction. My hope is that the observer becomes entranced leaving one’s heart agape so his/her attention can gracefully settle into experiencing the ineffable witness state. As the serene equanimity of observance subsides, the beholder emerges with a sensation of renewal. Often the witness also retains a lingering notion and/or familiar feelings from which a narrative may be gleaned. This whole process may happen in an instant, or may be prolonged, but it is generally of a pleasing nature.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

8 W x 10 H x 0.1 D in

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Todd Schulz was born 1972 in Calgary, Alberta and presently resides in Vernon, British Columbia. This autodidactic Canadian artist specializes in Hard Edge Geometric Abstraction. His application of a well defined minimal aesthetic aims to immersed the mind of an observer in uneasy stillness.

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