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"Corporate Fight Club: Mark-to-Market" Painting

Eric Drass, United Kingdom

Painting, Acrylic on Wood

30 W x 20 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

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$2,340

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ABOUT THE ARTWORK
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The language of business is littered with allusions to violence. The pursuit of the killer product, crushing the competition, dominating the market. Here we see what happens when the veneer of civility is transgressed and matters of business are settled man to man. The titles are taken from terms u...

Year Created:

1970

Subject:
Styles:
Mediums:

Painting, Acrylic on Wood

Rarity:

One-of-a-kind Artwork

Size:

30 W x 20 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Eric Drass

About the Artist

Eric Drass

United Kingdom

Eric Drass is an artist and curator who makes work in a range of media, from painting, to digital installation, to generative experiments which live on the net. Some of his favourite themes are identity, consciousness, the philosophical ramifications of artificial intelligence, big data and the relationship between humans and machines. Sometimes this work is political, frequently it is playful, often it is provocative or transgressive in some way. His works are frequently reported and cited online (BoingBoing, b3ta, Imperica, Computer Arts and Wikipedia etc.)

Eric holds a degree in Philosophy and Psychology (Oxford) and an unfinished PhD in Cognitive Psycholinguistics (also Oxford). He is co-author on a number of patents dealing with PRISM-type surveillance technologies (long before PRISM became public), and a number of academic papers relating to neural network models of language acquisition and heritability.

He also used to be a singer in an experimental hardcore band, an unsuccessful male model, and once took at dotcom 1.0 company from a bedroom project to 14 countries and back, spending $50m on the way. Twenty years ago he was a TV star in America, but he doesn’t like to talk about it.

Recognition:

  • Artist featured in a collection

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Curator - Erin Remington

Erin Remington, Curatorial Director