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"Cotton Candy" Painting

Alina Naeem, Pakistan

Painting, Acrylic on Paper

9 W x 12 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$200

Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This piece is executed on 400gsm acrylic paper using acrylic paints and oil pastels. The intention was to create a work that feels colorful, soft, and full of life, a palette carefully composed to balance energy and calm within the same piece. Thin margins are preserved along the edges to allow for...

Year Created:

2024

Subject:

Styles:

Mediums:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

9 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Pakistan.

Need more information?

Contact us.

Need more information?

Contact us.
Alina Naeem

About the Artist

Alina Naeem

Pakistan

Alina is a self-taught painter based in Pakistan, working primarily in acrylics. Her practice centers on abstraction, though she frequently moves into other representational subjects, letting each body of work follow its own logic rather than staying confined to one style.

Her work has been recognized in juried competition, and she continues to develop her practice alongside a career in brand design; a discipline that sharpens her instinct for color, composition, and visual restraint, and quietly informs the way she builds a painting.

Travel is a recurring influence on her work, feeding a visual vocabulary shaped by different places, light, and textures. Working without formal training, she has developed a process rooted in observation and instinct, treating each canvas as an open question rather than a fixed outcome.

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