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Coup de rouge Painting
Switzerland
Painting, Acrylic on Canvas
Size: 55.1 W x 39.4 H x 0.8 D in
Ships in a Tube
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About The Artwork
Almost monochrome diptych in red. Tonal complexity to achieve depth and diversity. Search for the greatest possible simplicity and, at the same time, complexity. Partially influenced by Mark Rothko. (signed on back) (as this is a diptych, it can also be shipped "ready to hang" with the 2 canvases stretched over the 2 canvas; the size of each part is 70/100; in this case, given the increased shipping cost, $150 should be added to the listed selling price) *** Diptyque presque monochrome en rouge. Complexité dans les tons pour obtention de la profondeur et la diversité. Recherche de la plus grande simplicité possible et, en même temps, de complexité. Influence partielle de Mark Rothko. (signé au dos) (comme c'est un diptyque, il peut aussi être expédié "ready to hang" en gardant les 2 toiles tendues sur les 2 canvas ; la dimension de chaque partie est de 70/100 ; dans ce cas, vu le coût d'expédition accru, il conviendrait d'ajouter $150 au prix de vente affiché)
Details & Dimensions
Multi-paneled Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:55.1 W x 39.4 H x 0.8 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Switzerland.
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Switzerland
- Photo: Naples, Italy, March 2019 - Born April 1947, married, 2 children, 5 grand children. - Graduated in economics, then swiss banker in private banking from 1974 to 2007. - Started drawing in travel sketchbooks (self taught) at the age of 48 in 1995, and painting much later in 2007 at the age of 60. - Former "urban sketcher", from 2020, writer of historical novels. My desire to paint comes from the interest for expressing something aesthetic or gaudy, for finding an unstable equilibrium, for experimenting with different approaches, for renewal, testing, trying. Even though I’ve done mini-series, I don’t like to stick to one repetitive process. To me, painting is a dialogue between control and letting go and abstraction is of particular interest because it allows us to to express things that would otherwise escape our senses. It’s still a large field, even though everything is supposed to have already been made.
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