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Cracks in our Hearts and Heads Painting

Mel Roy

United Kingdom

Painting, Oil on Canvas

Size: 15.7 W x 20.1 H x 0.8 D in

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Originally listed for $760

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ABOUT THE ARTWORK

Figurative painting, created in 2015, from a blend of life and references.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

15.7 W x 20.1 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Mel Roy

Mel Roy

United Kingdom

My work explores the less acknowledged aspects of our nature. I'm interested in the horror within, and the sides of ourselves we often choose to hide, or pretend don't exist. I am also interested in belief systems, and how the power of belief can motivate us do extraordinary things. The treatment of women within such systems is a recurring point of interest. My current work is about the Anabaptist Siege of Munster in the 16th Century. The Anabaptists (a persecuted Lutheran sect) took over the city of Munster in 1534, under the leadership of 2 prophets, Jan Matthias and Jan Van Leiden, with the aid of local town figures. These prophets expelled and murdered Lutherans, Catholics and dissenters. They predicted the end of world, claimed to communicate with God and introduced edicts under the guise of divine instruction to their faithful. These included iconoclasm, a strict rule of law, forced marriage and polygamy. Under a year long siege by the Catholic ruler the townspeople began to starve, and finally Munster fell. The remaining prophet and leaders were then tortured to death by the Prince Bishop in Munster town square. Whilst many of the behaviours in this story are of the past, there are numerous parallels with the behavior of cults and sects in present day. The figure in art has always been my driver. I am interested in making works that move beyond direct or a realist representation, and into another state. I make pictures with emotion, often without a clear narrative, where the figure although changed is less perfect, more real and although altered, unadulterated. I live and work in Edinburgh. I often work from life but also from other references. I work mainly with one model who imparts her own ideas, creativity and energy to my work. References would usually be photographic or collage, and these are always a departure point rather than a definitive source.

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