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Croak Room, 2020
Oil on canvas
76cm x 102cm x 6cm 

The painting depicts a White’s tree frog as a reference to my childhood during which my father used to collect and breed frogs. I have painted a section of the frame with a striking matte black enamel paint following the horizon line within the image, giving a feeling of looking through a window or into a vitrine; there is a physical sense of being brought into the scene through its expansion over the frame. 

One of my earliest memories is of sitting down for dinner and noticing a frog had escaped from its vitrine, it sat in the doorway watching us eat. I remember feeling uneasy about the animal for the first time, experiencing disgust and fear of the confidence of the amphibian; I was made uncomfortable by its suddenly unprotected proximity. It wasn’t until later in life when I had digested this memory that I found it was much more formative to my art practice than I had yet recognised. 

I’ve since found similarities within the Seamus Heaney poem ‘Death of a Naturalist’, the piece details fear felt by the writer when he descended on an army of bullfrogs in a childhood experience:

'The slap and plop were obscene threats. Some sat
Poised like mud grenades, their blunt heads farting.
I sickened, turned, and ran. The great slime kings
Were gathered there for vengeance and I knew
That if I dipped my hand the spawn would clutch it.'
Croak Room, 2020
Oil on canvas
76cm x 102cm x 6cm 

The painting depicts a White’s tree frog as a reference to my childhood during which my father used to collect and breed frogs. I have painted a section of the frame with a striking matte black enamel paint following the horizon line within the image, giving a feeling of looking through a window or into a vitrine; there is a physical sense of being brought into the scene through its expansion over the frame. 

One of my earliest memories is of sitting down for dinner and noticing a frog had escaped from its vitrine, it sat in the doorway watching us eat. I remember feeling uneasy about the animal for the first time, experiencing disgust and fear of the confidence of the amphibian; I was made uncomfortable by its suddenly unprotected proximity. It wasn’t until later in life when I had digested this memory that I found it was much more formative to my art practice than I had yet recognised. 

I’ve since found similarities within the Seamus Heaney poem ‘Death of a Naturalist’, the piece details fear felt by the writer when he descended on an army of bullfrogs in a childhood experience:

'The slap and plop were obscene threats. Some sat
Poised like mud grenades, their blunt heads farting.
I sickened, turned, and ran. The great slime kings
Were gathered there for vengeance and I knew
That if I dipped my hand the spawn would clutch it.'
Croak Room, 2020
Oil on canvas
76cm x 102cm x 6cm 

The painting depicts a White’s tree frog as a reference to my childhood during which my father used to collect and breed frogs. I have painted a section of the frame with a striking matte black enamel paint following the horizon line within the image, giving a feeling of looking through a window or into a vitrine; there is a physical sense of being brought into the scene through its expansion over the frame. 

One of my earliest memories is of sitting down for dinner and noticing a frog had escaped from its vitrine, it sat in the doorway watching us eat. I remember feeling uneasy about the animal for the first time, experiencing disgust and fear of the confidence of the amphibian; I was made uncomfortable by its suddenly unprotected proximity. It wasn’t until later in life when I had digested this memory that I found it was much more formative to my art practice than I had yet recognised. 

I’ve since found similarities within the Seamus Heaney poem ‘Death of a Naturalist’, the piece details fear felt by the writer when he descended on an army of bullfrogs in a childhood experience:

'The slap and plop were obscene threats. Some sat
Poised like mud grenades, their blunt heads farting.
I sickened, turned, and ran. The great slime kings
Were gathered there for vengeance and I knew
That if I dipped my hand the spawn would clutch it.'

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Croak Room Painting

Joshua Daniels

United Kingdom

Painting, Oil on Canvas

Size: 102 W x 76 H x 6 D cm

Ships in a Box

SOLD
Originally listed for $2,160

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ABOUT THE ARTWORK
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Croak Room, 2020 Oil on canvas 76cm x 102cm x 6cm The painting depicts a White’s tree frog as a reference to my childhood during which my father used to collect and breed frogs. I have painted a section of the frame with a striking matte black enamel paint following the horizon line within the ima...

Year Created:

2020

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

102 W x 76 H x 6 D cm

Ready to Hang:

Not Applicable

Frame:

Brown

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Joshua Daniels (b. 1991, UK)

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Artist featured in a collection

Artist featured by Saatchi Art in a collection

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