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Dance the sound of the universe Painting

Michele Rizzi

Italy

Painting, Oil on Canvas

Size: 59.1 W x 39.4 H x 1.6 D in

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$13,000USD

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About The Artwork

Dance the sound of the universe is a painting that is part of a cycle of paintings that arise from pure abstractism with many materials and the use of wooden frames for color rendering. In this particular case many materials have been used: oil, acrylic, paint, enamel, lime, waxes, gold leaf etc. Steps and steps were made on a rough canvas that you can see in several places, especially on the sides. Often, the finished phase has been partially cleared and rubbed to have a finer end result between the phases. A work of the type "proceed and erase" is a kind of accelerated work of sedimentation of different eras. At the end of the abstraction this after long research suggested the insertion of the oil-painted figure (woman) that floats and moves lightly into the landscape giving it a sigle and a three-dimensional valence. The stars woman waves dancing across the universe and her sound. It differs technically from the rest of the series of paintings but gains a great peaceful and reassuring energy.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:59.1 W x 39.4 H x 1.6 D in

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Michael Rizzi is an Italian artist born in Turin in 1971 (he currently lives near Turin Italy) best known for sculptures "Condensation and dispersion of matter." Sculptures made with steel, wire and iron mesh, which enhance the feeling of discontinuity of matter (solids and voids). If the sculpture of the past was essentially remove excess material, this kind of sculpture is to score the material at the points established and well-measured quantity. Regarding the forms, are prevalent human figures, organic and vegetal figures (real, abstract or fantasy). who suffer from the most different influences ranging from the ancient Minoan art and African (athletic and Thin figures) to the sculptures of the last century by A. Giacometti to the latest figures pseudo alien or humanity of the future, up to the recent "Manga "Japanese. The incompleteness and deficiencies are the added value of these jobs from which flows the perpetual fascination of the ruins and archaeological remains. The artist likes to think of the sculptures as in archaeological findings received from the distant futureand therefore at the same time have a double aesthetic value: archaic and futuristic . The heroism and courage of facing life or just living is a recurring theme in these works as well as the simple contemplation, inordinate and disproportionate individual (humanity) in the presence of the universe, time and space. He recently started a cycle of sculptures with the main material being transparent resin and vegetables and materials present in nature. Painting by Michele Rizzi follows a seemingly distinct from the sculptures but for neighboring intent and in some cases coinciding with the work in three dimensions. His painting came to degrees from a figurative painting (fantastic landscapes future) to a more abstract representation, up to an abstraction that is influenced by the painting of Gerhard Richter (physical and mechanical work on the color pulled with wooden frames) from which it deviates by rarefaction and for the insertion of figures that give more or less distinct size, depth and meaning abstraction transforming it into abstract landscape. Both (sculpture and painting by Michele Rizzi) pursue the future in the knowledge that the future is essential from the past. A sort of hole in space-time (black hole) that enables the past and the future to come in contact generating overlapping and hybridization and an infinity of shades and consequent emotions. www.facebook.

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