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DAS RHEINGOLD Painting
Painting, Acrylic on Canvas
Size: 24 W x 24 H x 1.5 D in
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About The Artwork
The entrance of the gods into Valhalla is one of Richard Wagner's most famous pieces, and it is in this piece that this work is inspired, together with the experiments conducted with Midjourney's AI. It represents how we have set aside the deities, and now they sink into a multipolar reality filled with colors, reflecting the decline of major religious narratives and beliefs in a world that, despite its decadence, still dazzles us with the neon and fluorescent tones of advertising. The statue of a fallen angel sinking into postmodernity welcomes the new deities: artificial intelligence and post-capitalism that enslaves people with their own desires. On the right, one of its wings burns in flames, a remnant of the first sign of civilization, the fire that ravages the plain of an unknown place while it remains inert, expressionless, like the statue of that king in the desert, impassive and decadent.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:24 W x 24 H x 1.5 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Guatemala.
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Carlos Jimenez finds his greatest source of inspiration in love and life. His observation of the lives that surround him, which transmit a spark to him, is the essential driving force that moves the artist to bring each work to fruition, using pieces of memories and his heart, sometimes broken, sometimes filled with unforgettable memories. His work is personal and very passionate, reflecting his sense of the search for a truth that may or may not exist. His philosophy is pragmatic, but with esoteric and passionate points of view about the meaning of life and the destiny of each person in the world. A little referenced to Albert Camus, Jimenez accepts the absurd and embraces it. To paraphrase Frédéric Beigbeder, he says, “My problem is that I don't believe in God, but I do believe in miracles.”
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