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Death, Anticipated, Is Immortality Painting

Karamoush Է

Lebanon

Painting, Oil on Canvas

Size: 37.4 W x 53.1 H x 0.9 D in

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$1,550

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ABOUT THE ARTWORK

Inspirations for this artwork range from the Egyptian culture of the pharaohs and the secret serpent order, to yoga, Buddhism and Hinduism, to Gnostic Christianity and the Ancient and Mystical Order of the Rose Cross. The skeletal entity (portrayed with charcoal and white pastel) is seated in meditation on a lotus flower with the yoga mudras on both hands. his spine is lit with fluid energy reaching to the crown of his head where the cross meets. Below we notice an Egyptian cartouche with the Monad, a crown and scarab inscribed. As the title might suggest, the meditator dies and contacts cosmic intelligence with each breath in lotus position. The surging energy reaches his crown and hence forth illumination occurs. He becomes king, with his body as his temple or kingdom. The scarab is symbolic of death (mediation, a quiet mind with no ego), the crown is for his kingdom (the body) and the Monad is the indivisible oneness of the individual with the collective consciousness and Cosmic awareness. The lotus flower has always been a symbol of strife and persistence through diligence no matter how difficult the situation, as it blossoms in nature even through mud and dirt. A red background is organically painted across the canvas complementary to the color of the sacred Rose.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

37.4 W x 53.1 H x 0.9 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I find the visionary works of classical masters of the Renaissance and Baroque Era as major influences for my artistic style, mannerism, and subject matter. I am constantly fascinated by the use of coded language and symbolism in art and painting to communicate complicated concepts, ideologies, emotions, and mythology (Egyptian, Greco-Roman, Tibetan, Hindu). I believe that the divine speaks to us in metaphors, and as such, find refuge in expressing my understanding and experiences of the divine through symbolism. Although the subject matter of my works does not abide by reality and the laws of physics, my style in rendering is nevertheless grounded in realistic figuration, much like the surrealists and visionary artists of the past. I initiate my artistic endeavors with an instinctive urge to express intricate spiritual subjects with their underlying concepts and emotions according to my perception and understanding of reality, and layer my work with realistic depictions of the protagonists and the surreal mythical atmosphere to render it more comprehensible. I do not restrict my palette to a specific range of colors, as life is limitless, and art is an immaculate reflection of life through an individualized lens. My works are evidences of cathartic experimentation.

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