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Detail images showing artists frame with deliberate imperfections
This piece is one of four small studies recently installed at my solo show at Connextions Gallery in Easton PA in June 2018. The show was entitled LAND-MARKS and was a continuation of my exploration of the redacted landscape that began in 2014 and was first presented at my joint show (with my wife, Susan Washington) at our X-Scape show at East Stroudsburg University in January 2017. This work reduces the elements usually associated with landscape painting down to a series of loose gestures while maintaining a horizon and the illusion of three dimensional space. This work is presented in a distressed "artist frame". I like the way that the mark-making is extended outside of the picture plane onto the frame through the deliberate scratching of the frame surface.

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View In My Room

Deconstructed Landscape Study #16 Painting

Stephen Washington

United States

Painting, Enamel on Canvas

Size: 10 W x 8 H x 1.5 D in

Ships in a Box

SOLD
Originally listed for $315

39 Views

3

ABOUT THE ARTWORK

This piece is one of four small studies recently installed at my solo show at Connextions Gallery in Easton PA in June 2018. The show was entitled LAND-MARKS and was a continuation of my exploration of the redacted landscape that began in 2014 and was first presented at my joint show (with my wife, Susan Washington) at our X-Scape show at East Stroudsburg University in January 2017. This work reduces the elements usually associated with landscape painting down to a series of loose gestures while maintaining a horizon and the illusion of three dimensional space. This work is presented in a distressed "artist frame". I like the way that the mark-making is extended outside of the picture plane onto the frame through the deliberate scratching of the frame surface.

DETAILS AND DIMENSIONS
Painting:

Enamel on Canvas

Original:

One-of-a-kind Artwork

Size:

10 W x 8 H x 1.5 D in

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My work on Saatchi is from my Rust Painting series that began in 2018 but is very similar to the photography I have shown in the UK and the USA and is based upon highly textured surfaces that imply a metamorphosis from one state to another and where the paint surface suggests that it is corroding and rusting. Rust seems to me to be a perfect metaphor for America in the 21st century with many of the bonds that joined our communities together coming under increasing strain and the physical infrastructure of the nation falling apart because of decades of no investment and our political institutions becoming corroded and broken. Rust can also be beautiful as it narrates time passing and the returning of matter to its original state in an organic and fascinating process. I live in the Rust Belt state of Pennsylvania not far from Bethlehem Steel where I have photographed regularly and these paintings also refer to the past glories of Pennsylvania steel towns like Bethlehem and Pittsburg and all the other places that Bethlehem Steel had plants that produced the steel for the Empire State Building, Golden Gate Bridge and railroads and the war effort. Rust never sleeps.

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