











Painting, Acrylic on Other
22 W x 29.9 H in
Ships in a Crate
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Déjà vu. I know I know you but I don't remember how, when and where. Un déjà vu. So di conoscerti ma non ricordo come, quando e dove.
Year Created:
2018
Subject:
Mediums:
Painting, Acrylic on Other
Rarity:
One-of-a-kind Artwork
Size:
22 W x 29.9 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Italy.
Customs:
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.Need more information?
Contact us.Un'attitudine fin dall'adolescenza ha caratterizzato la mia passione alla pittura, trasformandosi nello studio delle belle arti in un primo momento come autodidatta poi in un percorso di ricerca personale e iniziando una lunga esperienza con pratica nella tecnica del trompel'oeil, fino ad un astrattismo espressivo figurativo.
Frequentando Atelier di Artisti amici e professionisti di arte contemporanea ho avuto modo di scambiare opere e opinioni nei nostri studi e oggi ho un'esposizione permanente nel mio atelier.
Sulla superficie dei miei dipinti, dall'indistinto emergono i movimenti per macchie dai colori diversi o il lievito che dà spessore alle forme. Apparentemente non c'è soggetto, in realtà c'è la natura interpretata in quel suo modo di generare.
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An aptitude since adolescence has characterized my passion for painting, transforming into the study of fine arts at first as a self-taught then into a path of personal research and beginning a long experience with practice in the trompel'oeil technique, up to an expressive figurative abstractionism.
Attending Ateliers of Artists friends and contemporary art professionals I had the opportunity to exchange works and opinions in our studios and today I have a permanent exhibition in my atelier.
On the surface of my paintings from the indistinct emerge movements by spots of different colors or the yeast that gives thickness to the forms. Apparently there is no subject, in reality there is nature interpreted in that way of its generation.
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