




Painting, Acrylic on Linen
16.5 W x 11.8 H in
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Dharavi is one of the world's largest slums in the world, located in the middle of the large city of Mumbai in Maharashtra, India. Dharavi ‘shelters’ a population of around 1 million people on an area of only 2.4 km2, touching the mad density of more than 420.000 residents/km2. Despite harsh condi...
2024
Painting, Acrylic on Linen
One-of-a-kind Artwork
16.5 W x 11.8 H x 0.4 D in
No
Not Framed
Certificate is Included
Ships in a Box
Shipping is included in price.
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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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Michel Testard wandering painter of faraway worlds Born in Tokyo to a French artistic family, I grew up between cultures, people and ways of living. More than forty-five years of my life have unfolded far from France — childhood in Japan and Vietnam, later Africa and the UK, and twenty years in India. These places were never stations on a journey but temporary homelands, each leaving its own colour, rhythm and story within me. My painting begins there, in the emotional imprint of lived experience. I paint what I have encountered — and what has stayed. A bend of the Ganges at dawn, the faded colours of mineral Ladakh, the majestic wilderness of Iceland, the twilight of a bazaar street in Rajasthan, the melancholy of forgotten cities. At times the real dissolves into the imaginary: dreamlike Goan rooms opening onto the sea; jungles murmuring like pages from Kipling; and sometimes strange portraits of musicians, rajas and yogis stepping forward with a touch of humour. My themes are not records of travel but echoes of true encounters — described and reinvented with tenderness. I work quickly, letting intuition guide the brush. Influenced by masters such as Matisse, Gauguin and Amrita Sher-Gill, I favour colour over accuracy, emotion over precision. My style is spontaneous and expressionist, often rooted in imagination and enriched by accident. If my work has a singular thread, it lies in this wandering gaze shaped by many homelands — a way of seeing that blends East and West, past and present, reality and fantasy. Painting, like writing, is my way of honoring the worlds I have lived in, and the people and places that continue to live within me.
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