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Dolomiti Rose Painting

Joy Moore

Italy

Painting, Acrylic on Canvas

Size: 19.7 W x 23.6 H x 0.4 D in

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ABOUT THE ARTWORK

The subject of this painting is an element of the Dolomite mountains. It is one of large series. John Ruskin described the Dolomites as the cathedrals of nature. There really is no better description. They are truly majestic and with a very particular structure. They throw up huge flat walls of rock of varying colour and texture.Blues, blacks and pale yellows are common but occasionally red appears, as recorded here. I made many sketches and photographs there which I have used to some extent in these paintings but it is really the experience of being there and the sense of their dominance that I draw upon to make these paintings. I apply the paint in an expressive abstracted way building up varying textures. Most of the paintings are about the flat wall of mountain and are not intended to show perspective. The view is intended to be up close and personal. The painting has a coating of silk acrylic medium and comes with a triangular hanging hook attached to the top side of the painting.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

19.7 W x 23.6 H x 0.4 D in

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I was born in Bristol, England in 1951. I studied art in Bristol and Birmingham, graduating in 1978. I then lived in London for 25 years where I ran a dual career as a painter and as a manager of environmental projects. In 2006 I moved to Piemonte in northern Italy where I live in a converted farmhouse, working in my studio which was formerly the hayloft. My work is about my response to the colour, space and light in the landscape. My aim is to paint the power and existence of the landscape, not the view of it. I am inspired by the dominance of nature over man, but also the marks the man makes in the landscape. I am equally interested in the detail of nature and am excited by plant life, from the extraordinary wild flowers of a Piemonte Spring to the flowers in my garden. I work in my studio from sketches and photographs made in the landscape. I usually work up larger drawings from my sketches, then start my paintings with a series of acrylic washes and building up thicker layers of either acrylic or oil. I like to explore the quality of the paint, often scraping paint off of the canvas revealing subtle textures and colours beneath and contrasting these with opaque textured paint. Although I use my drawings as a basis for my paintings I find that the painting takes usually takes on its own direction and can move away entirely from the original drawings. For me this is all a part of the process of painting and discovering the real subject matter. My work is moving towards greater abstraction as I explore the use of symbolic rather than figurative mark making and different ways of applying paint another media to canvas, but it is always representational of nature.

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