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Painting, Oil on Canvas
Size: 48 W x 30 H x 1 D in
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Life’s roses and thorns; sometimes it emanates sweet aroma of pleasantness and sometimes it pricks and causes pains. O. Yemi chooses to do series of Roses and Thorns paintings in which main objects of the paintings are roses and stems woven into human figures. Rose is one of the gifts often used as romantic gesture of love and it naturally grows from the stems of thorns. In the early stage of relationship, couple often enjoy the aroma of roses and lovely blind to the flaws and thorns of each other. As challenges arise the couple starts to focus on each other flaws and start to feel the prick of their thorns While preparing to work on this painting, the image of Christ fell under weight of the cross in “Stations of the cross” in some of the old master paintings came to mind. O. Yemi was influenced to paint the image of the main object of this painting in crawling posture. He used Rose and stems woven in the shape of a woman breast feeding while also overwhelmed with domestic task. He used the sticks of the push broom and mop as cross. In the middle ground is the husband sitting aloof and ironically reading the Daily Harmony newspaper. In the background is the picture of the couple’s happy days when they were enjoying the aroma of their love disregarding thorns of life; the picture on the Daily Harmony newspaper depicts the Thorns period where they argue and fight. Couples should not focus on their partners’ thorns but appreciate the fragrance of love emanating from them.
Oil on Canvas
One-of-a-kind Artwork
48 W x 30 H x 1 D in
Not Framed
Not applicable
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United Kingdom
O. Yemi Tubi - An Artist and Advocate for the world’s Peace. I am a Nigerian-born, American-trained Artist residing in the United Kingdom an artist with a unique personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists. “A work of art which did not begin in emotion is not art” so said Paul Cezanne; I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the American-led war on terror. My painting “THE BLEEDING ROSES” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY” and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. my work, “THE FISHERS OF MEN” is about the horror of refugees drowning in the Mediterranean Sea. I also used my painting – “UKRAINE: THE UNFORTUNATE BRIDE” to speak about the America and Russia-influenced war in Ukraine. I desire my portrait paintings to be uniquely creative. I do not copy images from pictures. I create what the camera cannot create. I use portrait paintings to tell the stories about my subjects and often use my subjects’ professions to create their portraits as I did with the portrait of Professor Wole Soyinka, 1986 Nobel Prize Winner in Literature in my painting “SOYINKA: An Africans’ Literary Icon”, I used artist materials to create my painting “PORTRAIT OF AN ARTIST” and I used the violin to create the face of my subject in the “THE VIOLINIST” My works progress from political paintings to paintings of the facts of the life of people. The theme of my works, in general, is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness and sometimes it pricks and causes pains. I often use Roses and Thorns for portrait paintings of the facts of the life of people. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE”, and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign” to name a few. Roses are for achievements and other positive parts of life and Thorns are painful challenges and negative parts of life.
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