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Doolittle Raid Painting
Painting, Acrylic on Canvas
Size: 40 W x 60 H x 1.5 D in
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About The Artwork
The Doolittle Raid, also known as the Tokyo Raid, was an air raid on 18 April 1942 by the United States on the Japanese capital Tokyo and other places on Honshu during World War II. It was the first air operation to strike the Japanese archipelago. Although the raid caused comparatively minor damage, it demonstrated that the Japanese mainland was vulnerable to American air attacks. It served as retaliation for the 7 December 1941 attack on Pearl Harbor, and provided an important boost to American morale. The raid was planned by, led by, and named after Lieutenant Colonel James Doolittle (later a Lieutenant General in the US Army Air Forces and the US Air Force Reserve). Under the final plan, 16 B-25B Mitchell medium bombers, each with a crew of five, were launched from the US Navy aircraft carrier USS Hornet, in the Pacific Ocean, off Japan. There was to be no fighter escort. After bombing military and industrial targets in Japan, the B-25 crews were to continue westward to land in China. The raid on Japan killed about 50 people and injured 400, including civilians. Damage to Japanese military and industrial targets was minimal but the raid had major psychological effects. In the United States, it raised morale; in Japan, it raised fear and doubt about the ability of military leaders to defend the home islands, but the bombing and strafing of civilians also steeled Japanese resolve to gain retribution, and this was exploited for propaganda purposes. It also pushed forward Admiral Isoroku Yamamoto's plans to attack Midway Island in the Central Pacific, an attack that turned into a decisive defeat of the Imperial Japanese Navy (IJN) by the US Navy in the Battle of Midway. The consequences were most severely felt in China, where Japanese reprisals caused the deaths of 250,000 civilians and 70,000 soldiers. Source: Wikipedia
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:40 W x 60 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
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