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"E Blue" Painting

Ealy Mays, France

Painting, Acrylic on Canvas

18.1 W x 21.7 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$2,540

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

French Bulldog on a blue background. Beautiful minimalist artwork would be perfect in an industrial or modern interior.

Year Created:

2014

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

18.1 W x 21.7 H x 0.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

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Ealy Mays

About the Artist

Ealy Mays

France

Ealy Mays (born January 15, 1959) is a Paris-based American contemporary painter whose work operates at the intersection of history, identity, and social critique. Working in a bold, chromatic signature style with a satirical edge, Mays transforms cultural memory into urgent visual commentary — examining race, power, and the enduring complexity of the Black experience in the Western world.
As a Black American living in Paris, he is in constant dialogue with two worlds. France gave him distance — the particular clarity that comes from looking at one’s own country from the outside — and a mirror: the long tradition of Black American artists who came to this same city seeking creative freedom. That inheritance is both a comfort and a responsibility. His work Chocolate Ex-Pats (oil on canvas) entered the permanent collection of the National Gallery of Art, Washington, D.C. in 2024, as a gift of collectors Larry D. and Brenda A. Thompson.
His paintings are social documents. They record the absurdities and violences of our time, dressed sometimes in bright colour and ironic form — because that is how people have always survived what would otherwise be unbearable. The image that looks celebratory may be mourning. The figure that appears triumphant may be cornered.
He cites Jacob Lawrence, Diego Rivera, José Clemente Orozco, Rufino Tamayo, Jackson Pollock, Franz Kline, Maxfield Parrish, Herbert Gentry, and Edward Clark as central influences — a constellation reflecting the dual currents of his work: the Afro-American figurative tradition and the gestural force of Abstract Expressionism.
He lives and works in Paris, France.

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