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Entropy Sonnet (The New Colossus) Painting

David Rockwell

United States

Painting, Oil on Wood

Size: 24 W x 24 H x 3 D in

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ABOUT THE ARTWORK

Composed using all of the letters in the Emma Lazarus Sonnet "The New Colossus": Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. “Keep, ancient lands, your storied pomp!” cries she With silent lips. “Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!” Exhibition History: Prince Street Gallery, New York, NY (2023) Juried exhibition Brooklyn Waterfront Artists Coalition, New York, NY (2022) "Wide Open 12" juried exhibition

DETAILS AND DIMENSIONS
Painting:

Oil on Wood

Original:

One-of-a-kind Artwork

Size:

24 W x 24 H x 3 D in

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Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Originally from California, David was raised by New Yorkers in San Francisco and Los Angeles, and studied fine art, graphic design and computer science at at Cal Poly in San Luis Obispo. There, he began studying landscape and figure painting, working regularly in both watercolor and oil pastel. Since moving to New York in 1999, David has painted in oil and acrylic, incorporating 3d printing, mathematics and scientific principles into his work. He has exhibited around the country and his work is in private and corporate collections. He works professionally as a 3d and environmental designer. My current work is an ongoing exploration of the borders between traditional art practices and elements of design, technology, science and mathematics. I enjoy the visual languages inherent in each of these interests; art history as an aggregate of thousands of years of representation, letterforms as brushstrokes of language, layering as a palimpsest of life lived, simple algorithms that give rise to complex forms in nature. I find that the convergence of these influences yields novel hybrids; combining abstraction and figuration, 2d and 3d space, chaos and repose, signal and noise.

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