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Painting, Acrylic on Plastic
Size: 18.5 W x 31.5 H x 1.1 D in
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127 Views
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This painting is one in my "FREQUENCY DISTORTION" series. In addition to painting, I create and perform music. Since I can remember, I have seen colors surrounding musical keys, chords and notes. This series originated by using random strips of vinyl that I had used for stencils on other paintings. As I worked, I started seeing sound frequencies. Each piece is a visual interpretation of different tones in music as they travel through space and time; disintegrating and mingling with other frequencies. This one is based around Ornette Coleman's "The Shape of Jazz to Come" This painting is acrylic and vinyl on Gatorboard panel mounted onto a support of 1"square PVC strips, with 3 coats of satin urethane. It is ready to hang in your contemporary living room or perfect in a modern office or lobby. This painting will engage you for hours, and provide a focal point for any room.
2018
Acrylic on Plastic
One-of-a-kind Artwork
18.5 W x 31.5 H x 1.1 D in
Not Framed
Not applicable
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Louis is a Philadelphia, PA based artist and musician. "There is the idea of what a painting could be, then there is what happens while making the painting." "In my current work I employ a process driven call & response approach with the aesthetic goal of balancing shifting degrees of chaos and potential through the orchestration of organic and geometric structures. I am inspired by diverse sources: patterns (natural & man-made), sound waves, cycles, waves, frequencies, urban decay, architectural artifacts, geometry, geology, astronomy, tribal & corporate symbols, icons, technology and commercial graphics. By making art, I endeavor to reveal the mystery that is common to them. I am drawn to the history of things; to the possibility of different outcomes based on combinations of planned decisions and random events. I am intrigued with how small, repetitive actions consistently applied over the course of time, create complex systems that are greater than the sum of their parts. My approach is exploratory, reactionary and cathartic. I start with a concept, and follow the cues that the painting process gives me, often using unpredictable means to apply and remove paint, recycling, re-purposing and repositioning. Some decisions are planned, some are not. The result is the consequence of my reactions to previous actions. This process leads to reinvention and discovery, erosion and re assemblage; a play of deliberation and chance." His paintings and commissions are included in many private collections.
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