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FOR EXPORT # 5
Subseries of "A Dangerous Art"
*
"FOR EXPORT" emerged as a subserie for "A Dangerous Art", reusing what was left of large works. This one has the phrase "Luzes no céu" (Lights in the Sky) written in it. It is a collage from an old book of the 50s.


FOR EXPORT was a way I found to use the vibrant colors and the symbolism of the banana (something I talk about in other works in the series; see previous posts) to make a work with a lot of life and energy.
Through these works, I sought the best union between something apparently abstract and my vision of Brazil as a country, hence the name "FOR EXPORT". It is also common to see products with the writing "Export Type", signaling that they would be "better" (premium) than "normal".
Despite not being the world's largest exporter of bananas (it is India), Brazil is considered the "breadbasket of the world" when it comes to food exports. There is also the issue, much criticized internally, that we export our best products and leave what is left for internal consumption. With the dollar as it is, I doubt that many would not do the same.
The back of the work is also worked, like the stamps and seals on the boxes of products that are exported.
In this way, I wanted to show through colors all the diversity of products (and culture, art, etc.) that I imagine to be the showcase of my country. I believe that we are still seen as a happy country, despite all our difficulties as a nation. We export our best and, despite all the difficulties that we impose ourselves, we want to be better.
Hope is the last to die, as we say here. And in this moment when the world is going through so many difficulties, I hope that the series "FOR EXPORT" will be a reference of joy in any place. Directly from Brazil, directly from my studio. To the world.
#FOR EXPORT.
FOR EXPORT # 5
Subseries of "A Dangerous Art"
*
"FOR EXPORT" emerged as a subserie for "A Dangerous Art", reusing what was left of large works. This one has the phrase "Luzes no céu" (Lights in the Sky) written in it. It is a collage from an old book of the 50s.


FOR EXPORT was a way I found to use the vibrant colors and the symbolism of the banana (something I talk about in other works in the series; see previous posts) to make a work with a lot of life and energy.
Through these works, I sought the best union between something apparently abstract and my vision of Brazil as a country, hence the name "FOR EXPORT". It is also common to see products with the writing "Export Type", signaling that they would be "better" (premium) than "normal".
Despite not being the world's largest exporter of bananas (it is India), Brazil is considered the "breadbasket of the world" when it comes to food exports. There is also the issue, much criticized internally, that we export our best products and leave what is left for internal consumption. With the dollar as it is, I doubt that many would not do the same.
The back of the work is also worked, like the stamps and seals on the boxes of products that are exported.
In this way, I wanted to show through colors all the diversity of products (and culture, art, etc.) that I imagine to be the showcase of my country. I believe that we are still seen as a happy country, despite all our difficulties as a nation. We export our best and, despite all the difficulties that we impose ourselves, we want to be better.
Hope is the last to die, as we say here. And in this moment when the world is going through so many difficulties, I hope that the series "FOR EXPORT" will be a reference of joy in any place. Directly from Brazil, directly from my studio. To the world.
#FOR EXPORT.
FOR EXPORT # 5
Subseries of "A Dangerous Art"
*
"FOR EXPORT" emerged as a subserie for "A Dangerous Art", reusing what was left of large works. This one has the phrase "Luzes no céu" (Lights in the Sky) written in it. It is a collage from an old book of the 50s.


FOR EXPORT was a way I found to use the vibrant colors and the symbolism of the banana (something I talk about in other works in the series; see previous posts) to make a work with a lot of life and energy.
Through these works, I sought the best union between something apparently abstract and my vision of Brazil as a country, hence the name "FOR EXPORT". It is also common to see products with the writing "Export Type", signaling that they would be "better" (premium) than "normal".
Despite not being the world's largest exporter of bananas (it is India), Brazil is considered the "breadbasket of the world" when it comes to food exports. There is also the issue, much criticized internally, that we export our best products and leave what is left for internal consumption. With the dollar as it is, I doubt that many would not do the same.
The back of the work is also worked, like the stamps and seals on the boxes of products that are exported.
In this way, I wanted to show through colors all the diversity of products (and culture, art, etc.) that I imagine to be the showcase of my country. I believe that we are still seen as a happy country, despite all our difficulties as a nation. We export our best and, despite all the difficulties that we impose ourselves, we want to be better.
Hope is the last to die, as we say here. And in this moment when the world is going through so many difficulties, I hope that the series "FOR EXPORT" will be a reference of joy in any place. Directly from Brazil, directly from my studio. To the world.
#FOR EXPORT.
Close-up, "Luzes no céu" (Lights in the Sky) collage from book of the 50s
FOR EXPORT # 5
Subseries of "A Dangerous Art"
*
"FOR EXPORT" emerged as a subserie for "A Dangerous Art", reusing what was left of large works. This one has the phrase "Luzes no céu" (Lights in the Sky) written in it. It is a collage from an old book of the 50s.


FOR EXPORT was a way I found to use the vibrant colors and the symbolism of the banana (something I talk about in other works in the series; see previous posts) to make a work with a lot of life and energy.
Through these works, I sought the best union between something apparently abstract and my vision of Brazil as a country, hence the name "FOR EXPORT". It is also common to see products with the writing "Export Type", signaling that they would be "better" (premium) than "normal".
Despite not being the world's largest exporter of bananas (it is India), Brazil is considered the "breadbasket of the world" when it comes to food exports. There is also the issue, much criticized internally, that we export our best products and leave what is left for internal consumption. With the dollar as it is, I doubt that many would not do the same.
The back of the work is also worked, like the stamps and seals on the boxes of products that are exported.
In this way, I wanted to show through colors all the diversity of products (and culture, art, etc.) that I imagine to be the showcase of my country. I believe that we are still seen as a happy country, despite all our difficulties as a nation. We export our best and, despite all the difficulties that we impose ourselves, we want to be better.
Hope is the last to die, as we say here. And in this moment when the world is going through so many difficulties, I hope that the series "FOR EXPORT" will be a reference of joy in any place. Directly from Brazil, directly from my studio. To the world.
#FOR EXPORT.

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View In My Room

FOR EXPORT #5: Lights in the Sky Painting

Eric Carrazedo

Brazil

Painting, Acrylic on Canvas

Size: 31.5 W x 31.5 H x 1.6 D in

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$2,645

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414 Views

6

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link - Featured in the Catalog

Featured in the Catalog

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FOR EXPORT # 5 Subseries of "A Dangerous Art" * "FOR EXPORT" emerged as a subserie for "A Dangerous Art", reusing what was left of large works. This one has the phrase "Luzes no céu" (Lights in the Sky) written in it. It is a collage from an old book of the 50s. FOR EXPORT was a way I found to use...

Year Created:

2020

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

31.5 W x 31.5 H x 1.6 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Brazil.

Customs:

Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.

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Eric Carrazedo de Andrade (b. 1987, São Paulo, Brazil) is a visual artist whose paintings blend vibrant colors, symbolic imagery, and a sharp sense of irony. His ongoing body of work uses the banana as a recurring motif — a playful yet powerful symbol to question cultural identity, modern absurdities, and the contradictions of everyday life. Deeply influenced by Brazil’s social and political landscape, Carrazedo creates visually striking compositions that balance humor with critique. The banana, often seen as trivial or humorous, becomes in his work a mirror for deeper issues — from disconnection and censorship to spectacle and truth. Each piece invites reflection, often wrapped in bold color and unexpected symbolism — a conversation between beauty, chaos, and meaning.

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