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Detail Of The Raven
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Frida Kahlo With Ravens Painting

Genevieve Esson

United States

Painting, Acrylic on Canvas

Size: 30 W x 40 H x 3 D in

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$750USD

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3774 Views
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About The Artwork

This is a painting I created for an art festival in St. Louis, Let Them Eat Art for July 13, 2018. This artwork ties into the "Stars Are Aligned - 13th Annual On Friday The 13th" theme by the mysterious and magical portrait of Frida Kahlo with her Ravens. She has antlers, barbed wire, arrows and is bleeding to symbolize her pain and suffering. She painted a portrait of herself in 1946 as a wounded deer. The ghostly haloed figure behind her is her spirit and peaceful self. The ravens are protective sentinels and give testimony to her hope for love and beauty in the world. The waterfalls and water signify healing and the green moss, butterflies and flowers, hope for a better future. There is other symbolism going on in this piece. I hope the viewers feel strength and courage when they view this portrait of Frida and have more respect for her, women, animals and nature.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:30 W x 40 H x 3 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Genevieve Esson has a B.A. in Painting from Webster University, an award winning artist, her work is collected regionally and internationally. Esson is a painter and multi media artist and has completed 20 Public Art Projects. Her main medium is painting in acrylics. Born and raised in St. Louis, Missouri, she participates and exhibits her artwork at fairs, festivals, gallery shows, coffee houses, hospitals, restaurants and LIVE art events. Esson makes paintings and mixed media artworks. By merging several seemingly incompatible worlds into a new universe, Esson tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations. Her works isolate the movements of humans and/or objects. By doing so, new sequences are created which reveal an inseparable relationship between motion and sound. By questioning the concept of movement, she uses a visual vocabulary that incorporates time as well as space – a fictional and experiential universe that only emerges bit by bit. Her works are based on imaginary associations which open a unique poetic vein. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned. With a conceptual approach, luring the viewer round and round in circles, she finds that movement reveals an inherent awkwardness, a humour that echoes our own vulnerabilities.

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