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"Fried eggs. Day 8" Painting

Kateryna Ivonina, United States

Painting, Watercolor on Canvas

12 W x 12 H in

Framed, Ready to Hang

This artwork is not for sale.

Artist Recognition

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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“Fried eggs. Day 8” marks a shift in the rhythm of the series, where repetition gives way to a quieter, more observational state. Rendered in watercolor, the image becomes lighter, more fluid, allowing the form to dissolve into a field of perception. The familiar motif of the egg remains, yet it is...

Year Created:

2022

Subject:
Mediums:

Painting, Watercolor on Canvas

Rarity:

One-of-a-kind Artwork

Size:

12 W x 12 H x 0.5 D in

Ready to Hang:

Yes

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Kateryna Ivonina

About the Artist

Kateryna Ivonina

United States

I am a Ukrainian-American contemporary visual artist based in the Atlanta metropolitan area.

Perception transforms the way we recognize and project meaning onto the world around us. In my artistic practice, I explore the relationship between human beings and nature, and how natural forms are transformed through memory, projection, symbolism, and cultural interpretation.

Working primarily in painting and mixed media, I move between abstraction and figuration, treating them not as fixed categories but as oscillating conditions of perception. Familiar imagery and abstract forms shift between object and body, image and presence, the tangible and the imagined.

I am particularly interested in the anthropomorphic nature of seeing—the human tendency to recognize ourselves in the world around us by projecting emotions, narratives, and identities onto forms that exist beyond us. Through this process, painting becomes less a form of representation and more a way of revealing how meaning itself is constructed.

Optics plays a central role in my work. I create images within the space of the gaze—a space shaped by memory, association, bodily experience, and unstable perception. Repetition, variation, and subtle displacement allow ordinary imagery to move beyond stable definition, creating visual situations in which fluid identities and shifting meanings can emerge.

My work is also rooted in an ongoing reflection on the reciprocal relationship between humans and nature: how deeply human creativity, culture, and systems of meaning are shaped by natural forms, while simultaneously transforming them through interpretation and intervention. I am interested in the fragile balance between intimacy and alienation, creation and destruction, recognition and distortion.

Rather than offering fixed interpretations, my work remains open, existing in constant oscillation between abstraction and figuration, materiality and illusion, familiarity and ambiguity.

Recognition:

  • Artist featured in a collection

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