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As seen at at The concept space,
London
*********
During my holiday in Saint Peetersburg, Russia, I visited the Peterhof park-museum. There are some fountains that spray water from the bottom up and parents tell the kids that to get a jet of water, one of the stones on the cobblestone needs to be trampled. So tens of children start running back and forth to look for the exact spot that will drop the water (in fact there is a man with his feet maneuvering the jet of water). I've been hours watching these kids play with water, bathe themselves, run and shout for joy when the rain surprised them. The way in which children approach life is always surprising to me and, above all, their ability to live happiness in full, perhaps because at that age the past and the future do not condition the present yet.
As seen at at The concept space,
London
*********
During my holiday in Saint Peetersburg, Russia, I visited the Peterhof park-museum. There are some fountains that spray water from the bottom up and parents tell the kids that to get a jet of water, one of the stones on the cobblestone needs to be trampled. So tens of children start running back and forth to look for the exact spot that will drop the water (in fact there is a man with his feet maneuvering the jet of water). I've been hours watching these kids play with water, bathe themselves, run and shout for joy when the rain surprised them. The way in which children approach life is always surprising to me and, above all, their ability to live happiness in full, perhaps because at that age the past and the future do not condition the present yet.
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VIEW IN MY ROOM

Fun at Peterhof Painting

Gennaro Santaniello

Italy

Painting, Oil on Canvas

Size: 15.7 W x 19.7 H x 0.8 D in

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About The Artwork

As seen at at The concept space, London ********* During my holiday in Saint Peetersburg, Russia, I visited the Peterhof park-museum. There are some fountains that spray water from the bottom up and parents tell the kids that to get a jet of water, one of the stones on the cobblestone needs to be trampled. So tens of children start running back and forth to look for the exact spot that will drop the water (in fact there is a man with his feet maneuvering the jet of water). I've been hours watching these kids play with water, bathe themselves, run and shout for joy when the rain surprised them. The way in which children approach life is always surprising to me and, above all, their ability to live happiness in full, perhaps because at that age the past and the future do not condition the present yet.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:15.7 W x 19.7 H x 0.8 D in

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My artistic journey revolves around the exploration of two distinct yet interconnected themes: the chiaroscuro portraiture of predominantly female subjects and the depiction of mass-produced everyday objects transformed into unique artifacts through human intervention. Through these two bodies of work, I delve into the profound relationship between humanity and its creations, shedding light on the beauty and complexity that arise from our interactions with the world. In my chiaroscuro portraiture, I seek to capture the essence of the human spirit by delicately playing with light and shadow. The interplay of light and dark highlights the depth and complexity of emotions, unveiling the hidden layers of the human psyche. Through the careful rendering of facial features and the intricate dance of shadows, I aim to create intimate portraits that invite viewers to contemplate the universality of human experiences. Within my series of mass-produced objects, I explore the transformative power of human touch and intervention. Everyday items such as crushed cans, crumpled branded bags, or disposable coffee cups become vessels of individual narratives. By juxtaposing these familiar objects against the backdrop of our consumerist culture, I challenge the viewer to reevaluate their relationship with the material world and consider the imprint of human presence. Through both portraiture and object representation, the human figure remains a constant presence in my work. Whether it is the intricate expressions on a face or the traces left by our hands on inanimate objects, the human touch serves as a reminder of our agency and influence in shaping the world around us. I strive to capture the tension between the mass-produced and the individual, exploring the delicate balance between conformity and personal expression. In the realm of portraiture, I aim to evoke a sense of empathy and connection, inviting viewers to recognize themselves in the faces of my subjects. Through the portrayal of predominantly female figures, I explore themes of identity, femininity, and the societal expectations placed upon women. By highlighting the unique qualities and narratives of these individuals, I seek to challenge preconceived notions and foster a deeper understanding of the diverse range of human experiences. In the realm of objects, I invite viewers to contemplate the stories embedded within the mundane.

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