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"GRAIN OF MUSTARD SEED" Painting

Gillian Redwood, Canada

Painting, Acrylic on Canvas

48 W x 44 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

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Taken from my own, original, pastel sketch of a rocky outcrop in Beacon Hill Park, Victoria, Canada. The title is inspired by a text from the Bible "“For truly I say to you, if you have faith like a grain of mustard seed, you will say to this mountain ”move from here to there” and it will move, and ...

Year Created:

2020

Subject:
Styles:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

48 W x 44 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Nicaragua.

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Gillian Redwood

About the Artist

Gillian Redwood

Canada

I live and work as a visual artist. My paintings are large, expressive canvases - dynamic figurative art revealing energy within the human form, in and through our environment.
I paint on a daily basis and teach locally in our community.

Having been part of Galleries and Studio-Galleries during my career as an artist, I am now selling my art direct to collectors through Saatchi Art online. I have had a regular art Newsletter to keep my clients and customers in touch with my latest artwork.

Artist Statement
The inspiration for my artwork comes from the seen and unseen energies that connect the universe. My fascination with optics, the study of sight and the behavior of light teaches me how science observes the human body and environment at a molecular level. Using transparency and movement, I paint this alternate view of reality, where instead of forms and object governing my vision, the energetic world is in focus.

When I paint I use bold strokes to show where weight and movement create dynamism, and use ribbons of bright colour to indicate the streams of energy. The dynamic relationship with the land that we stand on and the atmosphere around us are woven into the mix. Often I paint the close and harmonious relationship in which people or groups can connect.

Quantum physics and science inform my work, and allow me to experience a new vision, a different way of viewing the world. Stepping aside from what the camera sees, I strive to interpret my experience in a holistic style, informed by the spirit and movement of a scene. All my paintings are referenced from drawings in willow charcoal and pastel. I find these materials give the strength of line and delicacy that I need. From these initial sketches the composition emerges and has the benefit of immediacy. This acts as a springboard to inspiration.

Each line or brush stroke tells a story, and I’m aware that the energy behind a line can be perceived on the canvas. Where the lines of energy flow in a landscape or a human body, they give information to the eye that we interpret, each in our own way. If we could see energy between things, the relationship between the seer and the seen, then how would our world look?
I explore the energetics of the universe in my paintings, and express some of these energies in line and colour. I work quickly and in short bursts, usually covering the whole canvas in one session, then layering colour to imitate the layers that I perceive.

Recognition:

  • Artist featured in a collection

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