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"Hakuna Golda" Painting

Gabriela Mazur, Poland

Painting, Acrylic on Canvas

11.8 W x 15.7 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

Sold

$517

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Hakuna Golda is a celebration of freedom, resilience and opulence - where textured abstraction meets golden energy. Inspired by the phrase "Hakuna Matata" (no worries) - this piece speaks to a life lived without fear, anchored in abundance. The sculptural center evoked earth cracked by heat and tim...

Year Created:

2025

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

11.8 W x 15.7 H x 0.6 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Poland.

Customs:

Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I am a contemporary visual artist deeply drawn to texture, color, and the emotional resonance of abstract expression. Working primarily with acrylics and specialized structural mediums, my work explores the blurred boundaries between geological elements and human emotion. My creative process is purely intuitive. I build up rich, tactile layers through spontaneous gestures, allowing each surface to evolve organically, much like the natural processes of erosion and growth. I am inspired by the hidden narratives that emerge from silence and the profound stillness of nature. Each of my paintings is an invitation to the viewer: a call to pause, to reflect, and to connect with something deeper that lies beyond the visible world. Through my heavy impasto techniques and metallic accents, I aim to create art that is not just seen, but felt.

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Erin Remington, Curatorial Director