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View In My Room
Painting, Acrylic on Canvas
Size: 27.6 W x 19.7 H x 0.4 D in
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"Hate me today Hate me tomorrow Hate me for all the things I didn't do for you Hate me in ways Yeah, ways hard to swallow Hate me so you can finally see what’s good for you" Inspired by the song "Hate me" by "Blue October".
Acrylic on Canvas
One-of-a-kind Artwork
27.6 W x 19.7 H x 0.4 D in
Not Framed
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Italy.
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Sylvie Renault, a painting between linearity and circularity. And enveloping. My painting works on contradictory poles: on one hand I insist on a series of spherical multiplicities (circles, rounds, circular and enveloping figures), on the other I focus on a univocal and centered perception. There is a mathematical and rational sensation, and another playfully and irrational one: in some ways, in fact, spheres are aligned and ordered, and never annoyingly overlapping; and in other ways spheres fall on the contrary, with elegant dignity, in a playful and proudly unsatisfied tension: soap bubbles moving towards the sky, balloons thrown upwards in the unstoppable desire of a child, dynamic and musical hula hoops, even rhythmic and perhaps singing. The dialectical dance of contrast could continue insisting on the chromatic strength and then ending up on an amused skirmish of motherhood and offspring, with “main” figures who see alongside and cling their minor and reduced solutions, but no less alive and vivids. And each work could also end in the sense of celebration and magic that these circular figures offer and give. Indeed, the interaction between identity and diversity is experienced here in the most complex and philosophically richest forms: they refer to uniqueness that cannot (and do not want) bend to homogeneity, and to collectivities that have expertly internalized the need for each uniqueness to not be isolated and locked in oneself, imploding: a common multiple unity, a dense group of partial and minute subjects, however present. These dialectical sensations, which are postponed and doubled from the view of each spectator, are objective and subjective, minimum and maximum; and because the true circle I am establishing is the one with those who look at the work and immerses himself (almost swimming) in these imperfections that are neither exhibited nor sought. Aware of a bond that every sincerity goes to build in dialogue and mutual and circular vision that continues to bring out leaks, separations, encounters, crossings, solidarity. Contact, clash, opposite,contrary, addition, negation, circle, vortex, agglomerate of feelings. A fantastic landscape where emotions turn into colour, disclosing what I feel. I am. Incontrovertibly. On my canvas, as in life, mistakes are not cancelled or disguised. Simply accepted. Because to make mistakes means to live. Falling in love with my circles, you will fall in love with yourselves.
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