Hidden in wheat Painting

The sorrow prompts the raise of an empty look out of the wheat field. The cramped poppies are mixed with the wheat. They understand the mute murmur of sadness. And they are listening to it. I was interested in representing the man. I could only represent his suffering. Because I find it an essential part of his life. It also illustrates a small part of nature. And the man is hiding in it. Nature is sympathetic with him. Disasters happen in the world, and this woman is just looking at one of them. Or probably she is in the middle of it. But hidden, she still has hope. I painted realistically, because the suffering seems realistic to me. It's rough. The work is made on a rigid support, in acrylic. It is unframed. I would recommend a frame chosen in correlation with the theme of the interior in which the work will be placed. In shape, in style. Colors should match those in the picture. It's the snapshot of a moment, of an emotion, of a multitude of untold stories, looking at it. Meditation on human fragility.