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Higger Gloria Painting

Edward H Camplin

United Kingdom

Painting, Acrylic on Other

Size: 28 W x 28 H x 1.5 D in

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Higger Tor in the Derbyshire Peak District just outside Sheffield

Year Created:

2010

Subject:
Mediums:

Painting, Acrylic on Other

Rarity:

One-of-a-kind Artwork

Size:

28 W x 28 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

Born in Barnet in 1957, my parents moved to Sheffield on the edge of the peak district before I was two. The landscape of the peak district has been an entraining influence on my life and in spite of leaving the area to work first in London then later in Dorset I always knew eventually I would be drawn back to those hills.

I paint peak district landscapes in styles between classic and modern on canvases using a mix of acrylics and oils.

Acrylics provide speed and intensity, oils provide the potential for subtleties of colour and glazes.

Landscape painting to me is not about the technique of applying paint to a canvas, it is about the way the eye and the brain knows, interprets and understands the effect of light on coloured surfaces.

Our image of the world is based purely on reflected light, its colour, intensity, saturation and focus and to that extent all of it is an illusion.

Our perception is based on what Neuro scientists have theorised as "The brains best guess" theory of perception.

I strive to emote memories in the viewer of landscapes seen before by the use of what are only, after all, merely two dimensional painted cues.

I am fascinated with the interplay of light, colour and meaning, our eyes are a part of our brain and what we see with is modelled into reality by our minds and this is what I am exploring in my work.

My Father and his father before him were painters too - I like to think we have all been trying to understand the way we see landscape.

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