








Painting, Oil on Canvas
15.7 W x 11.8 H in
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Capturing the landscape as it rushes by as I travel home. Grey dull skies depict doom and gloom but the hope springs from the field of yellow and lush green. Painted in oil on stretched canvas.
Year Created:
2020
Subject:
Styles:
Mediums:
Painting, Oil on Canvas
Rarity:
One-of-a-kind Artwork
Size:
15.7 W x 11.8 H x 1.6 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.I am a painter living in the UK. I have a studio at Town Quay Studios in Shoreham, West Sussex.
In the twenty-first century it is always interesting to see a fine artist conflating traditional materials with new technology. This is the case in the work of Angela Edwards whose prime medium is oil paint on board or canvas and sometimes charcoal on paper, with the methodology of her subject matter coming directly from digital media, such as video, streamed images and often the use of her iPhone.
Angela’s central thesis is connected to a notion of ‘home’, a theme explored from many different perspectives and one she continually returns to. This ranges from captured images of people returning home from their work environments to the movement of people across continents, namely refugees and asylum seekers – all the representation of people in her work are seeking the solace of home and belonging.
The representation of people moving through defined spaces, also gives focus to the notion, that while we weave in and out of the spaces of our daily life, there is often a lack of consciousness of critical issues that are occurring in the larger world, thus a certain alienation.
This is evident through the digital layering and shadowing of the images, where the ‘real’ is transformed, into a type of hyper-real, namely, a simulacrum, where a work is not presented as a copy of the ‘real’ but becomes, via the transformed image, a truth in it own right.
By Pauline Ford (Art historian)
All work © Angela Edwards 2020
Recognition:
Artist featured in a collection
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