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I Do Not Do Conceptual Art Painting

Laura Joan Levine

United States

Painting, Watercolor on Paper

Size: 30 W x 22 H x 0.1 D in

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$445

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About The Artwork

date (2012), signature, and title on back, watercolor paint and acid-free marker on archival medium weight watercolor paper The writing on this piece was done in 2012, layered over a prior painting I completed in 2004 showing the parallels between human palm lines and tree branches. Around 2012 I became increasingly perturbed by the domination of the art world by conceptual art, which I consider to be more philosophy or theater than art. I take this quote from Eckhart Tolle as inspiration: "The aliveness and divine essence in every life form is being obscured by thought and conceptualization". I hope viewers will see the contrast between the stark black letters and the organic, natural background. I chose to contrast the black, hard lettering (representing unfeeling concepts) with the softness of the watercolor paints and interrelating natural forms (palm of hand and tree). There is also a note of irony in the fact that the piece itself is conceptual, showing how it is difficult to avoid conceptualization completely.

Details & Dimensions

Painting:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:30 W x 22 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have a background in Art Therapy, Art History, and Studio Art. My analyses of my artworks on here are mostly afterthought, as I primarily work in a more intuitive fashion. Having grown up in New York City, with city life feeling so hectic and artificial to me, I've always craved the spontaneous harmonies of nature. Family trips to the Caribbean stimulated this longing and influenced the kind of imagery I was to use, i.e., often of an aquatic, colorful, and exotic nature. My work in the art therapy field gave me an understanding of the crucial role projection plays in both the making and viewing of a work of art. This realization stimulated me to work in a stream-of-consciousness way, enhancing the hazy, often amorphous dream-like feel of my work so as to give full reign to the subconscious and encourage projection in the viewer. Viewers do often project their thoughts onto my pieces; I expect the fluidity of the imagery to invite this sort of reaction. When I moved to the Philadelphia suburbs in the mid-nineties, I now realize I must have absorbed the colorist tradition of this region, becoming even more immersed in the expressive potential of color than I was to begin with. I also began to find inspiration in the ideas and work of abstract expressionists like Kandinsky. His book "Concerning the Spiritual in Art" particularly affected me with its emphasis on re-invigorating the modern psyche through a use of vibrant colors, shapes, and rhythmic compositions. When I saw Hilma af Klint's retrospective at the Guggenheim in 2018, I felt a deep kinship with her. Other influences include Fauvism, with its bold colors and Surrealism, with its dreamlike qualities. Related to my interest in projection is my recent focus on the visual aspects of the digital age. Some of my latest paintings are explorations of the visual and psychological effects of pixelated images. Artwork not shown on here can be seen at https://laurajoan-levine.pixels.com I can be contacted at LauraJoanLevine.outlook.com and get updates on exhibitions @laurajoanlevine on Instagram.

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