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I Spy is a new genre for me; a polar opposite. It's more sedate and classic. Since each painting I begin is purposely an experiment, and ends as a discovery, I'll work until a visual language evolves, just like the buildings I used to design. I'd work on a building until the mass and facade created its own visual language. Typically, I start paintings with the white canvas, and layer pigment until I the work becomes a statement like joy, a snapshot of organic movement, or maybe mathmatic precision. In this piece, the field of deep charcoal is lifted with lightness, in a classic, metallic, urban rythm. I lived in Manhatten during the third year of my undergraduate degree, and I Spy reminds me of the glint off off the Chrysler building's sharp turret-like edges at dawn... when the sidwalks are bare, and a few loners make thier way down Fifth Avenue. That's what I spied one hazey, lavender orange morning out the window of my architecture school studio after I'd been there all night. I Spy arrives prewired, ready to hang. Copyright Notice Heather W. Ernst holds exclusive rights over her work and reproductions issued by her or by an authorized representative. Her work is protected by the World Intellectual Property Organization [WIPO], the Berne Convention for the Protection of Literary and Artistic works, by all international copyright agreements, and by the Library of Congress of the United States of America. Any attempt to copy or reproduce or to create derivative works from any material works or art displayed online shall be legally prosecuted.
I Spy is a new genre for me; a polar opposite. It's more sedate and classic. Since each painting I begin is purposely an experiment, and ends as a discovery, I'll work until a visual language evolves, just like the buildings I used to design. I'd work on a building until the mass and facade created its own visual language. Typically, I start paintings with the white canvas, and layer pigment until I the work becomes a statement like joy, a snapshot of organic movement, or maybe mathmatic precision. In this piece, the field of deep charcoal is lifted with lightness, in a classic, metallic, urban rythm. I lived in Manhatten during the third year of my undergraduate degree, and I Spy reminds me of the glint off off the Chrysler building's sharp turret-like edges at dawn... when the sidwalks are bare, and a few loners make thier way down Fifth Avenue. That's what I spied one hazey, lavender orange morning out the window of my architecture school studio after I'd been there all night. I Spy arrives prewired, ready to hang. Copyright Notice Heather W. Ernst holds exclusive rights over her work and reproductions issued by her or by an authorized representative. Her work is protected by the World Intellectual Property Organization [WIPO], the Berne Convention for the Protection of Literary and Artistic works, by all international copyright agreements, and by the Library of Congress of the United States of America. Any attempt to copy or reproduce or to create derivative works from any material works or art displayed online shall be legally prosecuted.
I Spy is a new genre for me; a polar opposite. It's more sedate and classic. Since each painting I begin is purposely an experiment, and ends as a discovery, I'll work until a visual language evolves, just like the buildings I used to design. I'd work on a building until the mass and facade created its own visual language. Typically, I start paintings with the white canvas, and layer pigment until I the work becomes a statement like joy, a snapshot of organic movement, or maybe mathmatic precision. In this piece, the field of deep charcoal is lifted with lightness, in a classic, metallic, urban rythm. I lived in Manhatten during the third year of my undergraduate degree, and I Spy reminds me of the glint off off the Chrysler building's sharp turret-like edges at dawn... when the sidwalks are bare, and a few loners make thier way down Fifth Avenue. That's what I spied one hazey, lavender orange morning out the window of my architecture school studio after I'd been there all night. I Spy arrives prewired, ready to hang. Copyright Notice Heather W. Ernst holds exclusive rights over her work and reproductions issued by her or by an authorized representative. Her work is protected by the World Intellectual Property Organization [WIPO], the Berne Convention for the Protection of Literary and Artistic works, by all international copyright agreements, and by the Library of Congress of the United States of America. Any attempt to copy or reproduce or to create derivative works from any material works or art displayed online shall be legally prosecuted.
I Spy is a new genre for me; a polar opposite. It's more sedate and classic. Since each painting I begin is purposely an experiment, and ends as a discovery, I'll work until a visual language evolves, just like the buildings I used to design. I'd work on a building until the mass and facade created its own visual language. Typically, I start paintings with the white canvas, and layer pigment until I the work becomes a statement like joy, a snapshot of organic movement, or maybe mathmatic precision. In this piece, the field of deep charcoal is lifted with lightness, in a classic, metallic, urban rythm. I lived in Manhatten during the third year of my undergraduate degree, and I Spy reminds me of the glint off off the Chrysler building's sharp turret-like edges at dawn... when the sidwalks are bare, and a few loners make thier way down Fifth Avenue. That's what I spied one hazey, lavender orange morning out the window of my architecture school studio after I'd been there all night. I Spy arrives prewired, ready to hang. Copyright Notice Heather W. Ernst holds exclusive rights over her work and reproductions issued by her or by an authorized representative. Her work is protected by the World Intellectual Property Organization [WIPO], the Berne Convention for the Protection of Literary and Artistic works, by all international copyright agreements, and by the Library of Congress of the United States of America. Any attempt to copy or reproduce or to create derivative works from any material works or art displayed online shall be legally prosecuted.
I Spy is a new genre for me; a polar opposite. It's more sedate and classic. Since each painting I begin is purposely an experiment, and ends as a discovery, I'll work until a visual language evolves, just like the buildings I used to design. I'd work on a building until the mass and facade created its own visual language. Typically, I start paintings with the white canvas, and layer pigment until I the work becomes a statement like joy, a snapshot of organic movement, or maybe mathmatic precision. In this piece, the field of deep charcoal is lifted with lightness, in a classic, metallic, urban rythm. I lived in Manhatten during the third year of my undergraduate degree, and I Spy reminds me of the glint off off the Chrysler building's sharp turret-like edges at dawn... when the sidwalks are bare, and a few loners make thier way down Fifth Avenue. That's what I spied one hazey, lavender orange morning out the window of my architecture school studio after I'd been there all night. I Spy arrives prewired, ready to hang. Copyright Notice Heather W. Ernst holds exclusive rights over her work and reproductions issued by her or by an authorized representative. Her work is protected by the World Intellectual Property Organization [WIPO], the Berne Convention for the Protection of Literary and Artistic works, by all international copyright agreements, and by the Library of Congress of the United States of America. Any attempt to copy or reproduce or to create derivative works from any material works or art displayed online shall be legally prosecuted.
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I Spy Painting

Heather W Ernst

United States

Painting, Acrylic on Canvas

Size: 60 W x 48 H x 1.5 D in

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About The Artwork

I Spy is a new genre for me; a polar opposite. It's more sedate and classic. Since each painting I begin is purposely an experiment, and ends as a discovery, I'll work until a visual language evolves, just like the buildings I used to design. I'd work on a building until the mass and facade created its own visual language. Typically, I start paintings with the white canvas, and layer pigment until I the work becomes a statement like joy, a snapshot of organic movement, or maybe mathmatic precision. In this piece, the field of deep charcoal is lifted with lightness, in a classic, metallic, urban rythm. I lived in Manhatten during the third year of my undergraduate degree, and I Spy reminds me of the glint off off the Chrysler building's sharp turret-like edges at dawn... when the sidwalks are bare, and a few loners make thier way down Fifth Avenue. That's what I spied one hazey, lavender orange morning out the window of my architecture school studio after I'd been there all night. I Spy arrives prewired, ready to hang. Copyright Notice Heather W. Ernst holds exclusive rights over her work and reproductions issued by her or by an authorized representative. Her work is protected by the World Intellectual Property Organization [WIPO], the Berne Convention for the Protection of Literary and Artistic works, by all international copyright agreements, and by the Library of Congress of the United States of America. Any attempt to copy or reproduce or to create derivative works from any material works or art displayed online shall be legally prosecuted.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:60 W x 48 H x 1.5 D in

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Heather W. Ernst is a abstract landscape and contemporary abstract painter both in mixed media. She lives in Colorado, USA, and practiced architecture as a registered architect during 1992-2012. She focused on high end residential, medical and retail projects to $12M for approximately 25 years. She has exhibited throughout Colorado and Washington state in both solo and group exhibits. Heather’s work is found with private clients throughout the United States, U.K., Germany and New Zealand. #art #artist #painting #homedecor #interiordesign #architecture #home #expressionism #abstractextressionism #abstractart #contemporaryart #ideas #wall #officedecor #wallart

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