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IDEAL GIFT 137 Painting

Thierry Vobmann

France

Painting, Acrylic on Cardboard

Size: 16.5 W x 11.7 H x 0.1 D in

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$260

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ABOUT THE ARTWORK

Original acrylic painting on cardboard. The 42x29.7 centimeter size is specially designed for a standard A3 photo frame. Paint with a palette knife. This work will be sent to you in a cardboard envelope. The framed pictures are only for example. Your artwork will be delivered unframed, leaving you the liberty to select a frame that suits to you. You can choose an A3 (29.7x42cm) photo frame. You can easily find it in DIY stores for about fifteen euros. Remember to take your work to the store to facilitate the choice of your frame. It will be enough to remove the glass and place the thick paper instead in the frame. The paint is the same as the one used to paint on a canvas, it does not need to be protected by a glass, and you will avoid unwanted reflections. Please note, this creation is original, unique, entirely handmade, without any use of computer or photo. Thierry Vobmann is a professional artist referenced on several quotation sites. His works are present in many private collections, in about twenty countries. The artist has been selected and has participated in international art fairs, including Art shopping at the Louvre in Paris and Artexpo in New York. His works are published in several art books in Europe and the United States. Thierry Vobmann has won several awards for his work.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Cardboard

Original:

One-of-a-kind Artwork

Size:

16.5 W x 11.7 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Thierry Vobmann is a professional French artist who lives in Brittany, the most westerly place on the European continent. In his studio, he creates paintings on canvas and sculptures in wood and metal. For more than ten years, he has devoted himself almost exclusively to abstract painting because he has set himself the goal of expressing everything that does not have a physical appearance such as sounds, smells, warmth, feelings, the wind ... He realized that finally most of the factors that govern our lives and our behavior were not visible but noticeable. Thierry's approach logically was to remove the image of the real to keep only the essential: the pure and universal emotion. During his first year of work in abstract expressionism as this style is commonly called, Thierry has developed his own style which is abstract but in which he slides as often as possible reminiscences of figurative techniques such as perspectives, shadows, lights. He constantly seeks the balance of volumes, textures, colors, movements in order not to disturb the expression of the feeling. His works are not smoothed. They are sometimes violent, colorful, and spicy, but always in order to accentuate the desired expressiveness. During this year of setting up, Thierry totally immersed in the construction of his art, declares that he began to make dreams he said “Sometimes, when I sleep, I receive as a message, a very precise vision of a work to paint. Everything is there, the visual, the title and regularly even the written description of the painting. So I wake up and look for paper and pencil to take notes or sketch because in the morning I will not remember anything. “ Thierry also states that it happened to him, when he was very calm and tired, because Thierry frequently paints at night, to make a painting that once completed, seemed totally foreign to him. He knew he had painted it but, his hand had been guided, at no time had he thought about what he was doing, he had done it. These dreams and the feeling of being assisted in his creation brought Thierry into the search for a universal energy, a vital energy that governs everything we know, that influences our life and our decisions. Thierry's evolution from the representation of the impalpable to universal energy has led him to the experience he is now leading. He seeks to voluntarily connect to these powerful external forces. This is what he calls "Blind painting experiment".

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